Part of an actor's job, in my opinion, is adjust to the characteristics of the director and try to understand to how he tries to work.
To work with a director that has emotional commitment and passion toward the characters, and the piece, and the experiences, it only enriches your work.
It's so hard to find a director who, when you look at their body of work, you like everything.
You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually.
I happen to have worked with male directors who don't understand women at all. Not at all. I'm flabbergasted by their ignorance.
How may a mortal, face and defeat the Kraken
If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.
There is a film called 'A Separation.' If you see it playing, go see it. It's beautiful. It's so well written and the acting is amazing. It's one of those films that you would love to be a part of.
I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
I think bad movies are made around the world, not just in Hollywood. There are as many bad art films in the whole world as there are bad commercial films.
Silent films were, I think, more different than we know to sound films. We think of it as simply that we added dialogue and in actual fact I think it was an entirely different art form.
If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.
When we started Angels & Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.
I have this theory that your first film is always your best film in some way. I always try to get back to that moment when you're not relying on things you've done before.
When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.
I go through phases when I've been filming where I wake up in the middle of the night and I think I'm being filmed.
If you are going to do a film about the South Pole, the chances are that you will film it in Hawaii! Whatever is most difficult, you will get to do it.
In Quebec, we're less inhibited artistically, culturally, politically. We're less focused on box office and comparing our films to the American films.
