[on Martin Freeman playing Bilbo Baggins] It was great. I got to hang out with him, and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. H...
I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What m...
There is a predictable interlude when the rivals suddenly come together and speak for a second of their common loneliness, thus tritely demonstrating that we really are all the same, though I can't think of any really first-rate film, play, or book t...
I wish, to be honest with you, for African American films that we could get a few more theaters. They only open them in 1500 to 2000 for an opening weekend, and how do you expect us to compete. How can we go to certain box office levels if they don't...
'Elf' has become this big holiday movie, and I remember running around the streets of New York in tights saying, 'This could be the last movie I ever make,' and I could never have predicted that it'd become such a popular film.
I had a terrible motorcycle accident, in San Francisco as matter of fact. Doing a picture called... oh, this is terrible. It's a very well-known film and I can't remember the name. That's what happens when you get older... I fell off a bridge in San ...
As far as writing or directing a film, I've worked with enough people who have done that that I know it's just a whole other level of responsibility and chaos and murder that I could not see happening. For now, I'm just going to see what comes. I kno...
Some people like just sitting down and being taken for a ride. That's a beautiful thing that fiction can do. But it's not the only thing. In television and film, people are ready to accept any kind of jump cut, but the slightest disturbance on the pa...
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I exp...
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window n...
I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out,...
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and t...
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because ...
I photographed with film for many years; now that I work in digital, the difference is enormous. The quality is unbelievable: I don't use flash, and with digital I can even work in very bad light. Also, it's a relief not to lose photographs to x-ray ...
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All th...
An even more pointed example of the the power of the silence tabu in libraries occurred in Duluth in 1981. The police were pursuing a fugitive from justice who ran into the public library. Uniformed police surrounded the building, and the library dir...
In 1995, each cast at The Second City was made up of four men and two women. When it was suggested that they switch one of the companies to three men and three women, the producers and directors had the same panicked reaction. 'You can't do that. The...
Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that...
No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body,...
Words are harsh mistresses, to be sure. Like petulant divas, they want only those parts that play to their talents and mask their blemishes, and only when complete companies of players who love their parts are assembled will they sing in harmony. I a...
[from the director's cut] Mr. Hand: We're very lucky when you think about it. Emma Murdoch: I'm sorry? Mr. Hand: To be able to revisit those places which have meant so very much to us. Emma Murdoch: I thought it was more that we were haunted by them....
