That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.
You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.
I'd only read a bit of the first book. And I just knew about all the media furor over it. But I'd not read books 2 or 3. I'd just read a bit of it. And I'd seen the films.
I was 15 years old at university, studying economics and philosophy, and I saw a retrospective of Australian film. They were very raw. 'Picnic at Hanging Rock,' 'Gallipoli;' they were fantastic.
With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.
If you're playing a cop in a modern film, you don't have to walk with your spine straight up and bow before a fight. There's a lot of free form of expressing yourself as an actor.
I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.
Where people are now in terms of the economic crisis, they're looking at what we think is the bottom, and I think that's when people look to film and to spirituality.
You get three hours' sleep and then you start all over again. Relentless. Pre-production was almost harder than filming. I was all over the city every day. It was really exhausting.
You never compete with the people in your crew; you have your own team. Competition is only with those people whose film is releasing alongside on Friday and never with one's own team.
Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.
While mainstream media is led by profit, ratings and popularist culture and filtered by the current political climate, Alternative Media is lead solely by the convictions of the campaign and film maker.
I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original.
I'm an actor, and I don't look at myself as providing comic relief. I have done diverse and dark roles such as a psycho, murderer, and others in films such as 'Don', 'Eklavya' and '3 Idiots.'
I usually go with roles that I find entertaining. But every once in a while, there comes along a film that has an important social message. As actors, we have a certain responsibility toward our audience.
That film 'Memento' creeped me out. I was looking over my back through the whole thing. I get more creeped out than scared and spill popcorn all over the place.
I really hate the creature film convention that says you have to wait until the end to see the monster. One hour and all you've seen is just the tip of the creature's tail.
When you first think of making a monster movie you have to realize that a lot of people may be down on you because there is a big prejudice against such films.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
I'm just ah, actually developing a tv show for HBO, and I'm directing a film this summer, and actually I'm doing some live shows out in western Canada.
