George: [as TV Director walks away with PA] There he goes. Look at him. Bet his wife doesn't know about her. John: If he's got one. Look at his sweater. Paul: You never know, she might have knitted it. John: She knitted him.
Director Burgess: [before shooting] Shh. Do you know what I hear? Nothing. No footsteps up the stairs, no hovercraft out the window, no clickety-click of little spiders. Do you know why I can't hear any of those things, Danny? Because right now, the ...
[after hearing that Norma Desmond has come to see DeMille] First assistant director: I can tell her you're all tied up in the projection room. I can give her the brush. Cecil B. DeMille: Thirty million fans have given her the brush. Isn't that enough...
Addison DeWitt: [voiceover] The minor awards, as you can see, have already been presented. Minor awards are for such as the writer and director, since their function is merely to construct a tower so that the world can applaud a light which flashes o...
Robert was the owner and the Executive Director for 99 Red Balloons Japan Inc and entertainment and event company that provided entertainers decorations for promotions, special events, advertising, and for English language instruction at primary scho...
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you...
I was scouted at the age of 10 by a Hollywood agent. I was a really shy, geeky-looking thing, and started in the industry by doing 'extra' work on films.
I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really.
'Pulp Fiction' is an amazing film, and I haven't made one nearly as good.
I loved filming in Morocco; it was amazing. I'd never been anywhere like that. The culture was phenomenal. I was so blown away by the spirit of that country.
I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.
I think a smart person today realizes that you have to be part of the art films that are done just for the sake of the art.
What you do in your art - TV, music, film stuff - touches people. And they want to touch you. So that's a blessing. I'm okay with it.
I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art.
Fashion, for me, is anything that's aesthetic and beautiful. Art, food, film. It's something that I appreciate and really like.
Toy Soldiers was my introduction to film. I certainly didn't think I was doing art by any stretch of the imagination.
The last time I was this confused I was watching a Fassbinder film.
Sometimes the best thing you could do is a real bad film... you could improvise all over the place and probably only improve the script.
All we try and do is make the best films we can. If you do that then hopefully the audiences will come, and they have. Everything else is gravy.
In terms of doing another franchise after 'Transformers,' I don't know if that would be best for me. I'm really happy to inhabit the world of independent film.
'The Jungle Book.' It's one of the best animated films ever. I saw it when I was small at a cinema in Tehran.
