I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theo...
I'll tell you, I think that the Internet has provided an enormous boost to film criticism by giving people an opportunity to self publish or to find sites that are friendly.
As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
Film critics said I gave a voice to the fear we all have: that we'll reach a certain point in our lives, look around and realize that all the things we said we'd do and become will never come to be - and that we're ordinary.
I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.
The public is wonderfully tolerant. It forgives everything except genius.
To be a critical reader means for me: (1) to affirm the enduring power of the Bible in my culture and in my own life and yet (2) to remain open enough to dare to ask any question and to risk any critical judgement. Nothing less than both of these poi...
Horror fans are a particular breed. They analyze films with such detail and expertise that I am reminded of the Canadian literary critic Northrup Frye, who approached literature with similar archetypal analysis.
I think women don't grow up with the harsh world of criticism that men grow up with, we are more sensitively treated, and when you first experience the world of film-making you have to develop a very tough skin.
My big goal in life was always to figure out how I can make a lot of money so I can go off and make films irrespective of the opinion of the three or four critics who seem to rule the roost.
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't...
You're afraid of criticism,' she says. 'But criticism is a sign of life! You know who doesn't get criticized? Nonentities! Only the dead escape criticism.
Marxism is always open, always critical, always self-critical.
I'm not trying to brainwash my critics. If they're critics, they're critics, and that's their job to be critical, but I certainly enjoy the involvement I have with my fans. I enjoy the time I get to spend with them, and I don't waste time with someon...
I think that when a film does its job, it poses questions rather than gives answers. It should act as a frustrating counselor who, at your bidding for advice, says, 'What do you think?' I think that's some of what the culture critic Greg Tate meant b...
When you are proud of something you have done, and you have made a film you feel has merit, and it's found an audience and is critically well received, that's a pretty pleasurable place to be. I mean, you don't want it gathering dust at the bottom of...
I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.
