I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
When I was starting out, when I put aside my career as an economist. I looked at every book, went to every show, did my first stories, developed my first films. A fabulous time.
I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and b...
I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for...
I was so nervous because I was doing my first film. I didn't want to embarrass myself. I'm an incredibly insecure person, and knowing that I had to go on set in next to nothing, it scared me, but at the same time, I knew it would be a challenge to op...
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that ...
Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don...
Selma: [talking about musical films] You know when the camera goes really big and it comes up out of the roof, and you just know that it's gonna end? I hate that.
Detective Fronteiri: You filmed him dying. Lou Bloom: That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life.
Photographer: Run out of film? Keith Jennings: Saving it for his canonization. Photographer: How's that? Keith Jennings: I don't know if we've got the heir to the Thorn millions here or Jesus Christ Himself.
[filming a scene with a microphone hidden in a bush] Rosco: Lina! We're missing every other word! You've got to talk into the mike! Lina: [pointing at the bush] Well, I can't make love to a bush!
Rosco: [after seeing the film screw-up] The sound, its out of synchronization! R.F. Simpson: [irritated] Well tell them to fix it! Rosco: [while getting up] Yes sir, fix it!
With so much money invested in their most promising projects, Hollywood executives will understandably do everything in their power to make their products a success in the marketplace. Therefore, the most expensive films often also get the highest ma...
I was supposed to do a film with Bill Shatner called 'Free Enterprise 2.' They were calling me into wardrobe, and they said they are holding off for a while. Then the next thing I knew... either the money dropped out, or the producer ran off with the...
I wanted to make money very fast, and I was completely confused after college. I didn't know what career options I had. And then I had this entry point in the film industry, and I thought, 'If this is where the fast money is going to come from, let's...
Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.
We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big ...
I've been writing plays since the seventies and only came to moviemaking when I basically realized that I needed some money to pay the rent. I started to watch films with an eye to figuring out how to write them.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit f...
After I graduated from Brandeis, I took all the money I had in the world, which was $5,000, and I made a short film. I made every mistake you could possibly make. It was a total disaster as a piece of work, and yet, you know, it was ambitious in some...
