My father's films are often very slow for the modern audiences, which are used to a lot of editing. It's the audience that watches the film instead of the director dictating the reaction he wants from you.
She loses 50 pounds in the film, and goes from fairly sane to totally out of her mind. So for the first part of the film I was wearing a 40 pound fat suit, which is very, very uncomfortable. But the worst part was the neck.
When you stop to think about it, so many films today where we don't have that kind of contact are films about alienation. About alienated feelings. We are much more alienated from our colleagues nowadays.
I'm much more experienced now, so I can find films that are interesting quicker and cut out the films that don't really matter. It means more to me now because my kids are going to see them, and I want them to be proud.
But so long as we can keep this crew of fantastic people together and can continue to make real breakthrough films in this category, as well as characters that stay true to what we've done in this first film, I'd be more than happy to be a part of it...
The biggest challenge was trying to convey the story of the making of a film that isn't finished yet - and which won't be finished until the third film, The Return of the King, reaches our cinemas towards the end of 2003!
In the 1970s, a lot of critics didn't understand video. I got a lot of bad reviews. But film-makers didn't understand what we were doing, either. There were actual fistfights between film-makers and video-makers. I was witness to one.
I have zero interest in performing in films to try to convey any kind of message. My job is to be entertaining. There's a very different point of view about messages in films in Europe than there is in the States. Audiences rebel because they feel th...
Their films would probably be better if they'd seen a few more films, which runs counter to this idiotic theory that you run the risk of being influenced if you see too much.
And the biggest improvement I see between 'Up in the Air' and 'Juno' and 'Thank You for Smoking' is that 'Up in the Air' deals with the complicated human stuff in a way that my other films have not. It's a more articulated film, and because of that, ...
The advent of DVD/Blu-ray reissues of classic Hollywood and foreign films has been a boon to film buffs, who can now study their favorites in all their glistening detail and restored palettes.
I've found that if you just try to make the film you want, you'll find the right audience. If you try to please everyone, you're going to make really boring films.
Perhaps where text slides toward ambiguity, film inclines to specificity. A novel contains as many versions of itself as it has readers, whereas a film's final cut vaporizes every other way it might have been made.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and chan...
People come to Cannes just to advertise their films, not with a particular message. But the advantage is that if you go to the festival, you get so much press coverage in three days that it advertises the film for the rest of the year.
I can be working on a collection and a film at the same time. It can take a lot out of me, but the processes come from the same source. From a brief I set myself I can make a film, I can make a collection, I can make an installation.
People use mobile phones in this very distracting environment where you probably don't have time to watch a 30-minute film, but you might have time to look at a film for a minute and learn something you didn't expect while you walk on the streets.
I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 a...
I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just th...
