I think ultimately audience members like to see someone controlling the quality of a film. A lot of films you see are made by committees and studios and producers.
I'd rather make an interesting film that gets people talking, that maybe some people hate, than make the kind of 'entertaining' film that everyone feels ambivalent about.
My films have a bold interpretation. They are unapologetic about showing intimacy. Going by the number of people who come to watch my films, this is what our target audience yearns for.
We didn't really have television when I was a kid. Around 30, I discovered films and started systematically catching up. I collect interesting documentaries and films, and watch a few nights a week.
Filmmakers who use narrators pay a price for taking the easy way: narrated films date far more quickly than films without narrators.
The key fact missed most often by social scientists utilizing documentary films for data, is this: documentary films are not found or reported things; they're made things.
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
When you make documentaries or short films, you have to have eyes and ears in the back of your head and on the sides and all around you. I like that in my films.
I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.
It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
To be honest, my friends weren't really as into making films as I was. But I convinced them all to make some zombie films with me.
I will always continue to make stupid action films but I think 'V For Vendetta' is a very smart film and I think that people will feel differently about things when they see it.
I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.
The normal storyline of a horror film or a slasher film is the young, beautiful college folks go camping and get systematically killed by the person in a mask. So that's how it normally is.
I have equal parts film and digital cameras in my collection. I think that there are ways to Photoshop photos so that they look like you shot them on film, but is that as rewarding? It just depends on the person.
It doesn't do any good to say, 'This is what it means.' When you are spoon fed a film, people instantly know what it is. I like films that leave room to dream.
The general view is that actors start on soaps and then maybe graduate to prime-time television or film; normally you don't see a film actor going to do a soap.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
With 'Toy Story,' which is a fantastic film but is essentially animation, you get to make all your decisions beforehand. 'Jumanji' is shot much like any other action film.
Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
