Fiction has subversive potential. People let it into their minds, like the Trojan Horse. They don't know what's inside. You hook them with the story, and God can work below the level of their consciousness. Fiction can be propaganda for evil or conve...
Stephen Hawking said he spent most of his first couple of years at Cambridge reading science fiction (and I believe that, because his grades weren't all that great).
I'm not so interested any more in how a great deal of science fiction goes. It goes into things like Star Wars and Star Trek which all go excellent in their own way.
I read a great deal of science fiction with consummate pleasure between, say, the ages of 12 and 16. Then I got away from it. In my mid- to late 20s, I started trying to write it.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the ficti...
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
Most of my stories, if not all of them, have some basis in real life. That's the kind of fiction I'm most interested in. I suppose that's one reason I don't have much respect for fiction that seems to be game playing.
Identity politics divides us; fiction connects. One is interested in sweeping generalizations, the other in nuances. One draws boundaries, the other recognizes no frontiers. Identity politics is made of solid bricks; fiction is flowing water.
Action fiction is driven more by what than by who. Put that ticking nuclear suitcase under Manhattan, and it's relatively easy to create suspense. Literary fiction is driven more by who than by what.
I think there's always been a traditionally apocalyptic side to British science fiction, from H.G. Wells onwards. I mean, most of Wells' stories are potentially apocalyptic in some sense or another.
When I write my books, actually, I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
Novels written by university professors and set in the groves of academe are far more rigidly predictable than anything but the most routine science fiction novel, but they have escaped the stigma of being labeled as genre.
I started in this racket in the early '70s, and when I was president of the Science Fiction Writers of America, of which I was like the sixth president, I was the first one nobody ever heard of.
We physicists don't like to admit it, but some of us are closet science fiction fans. We hate to admit it because it sounds undignified. But when we were children, that's when we got interested in science, for a lot of us.
Technically and logically speaking, actual Victorian science fiction writers cannot be dubbed 'steampunks.' Although they utilized many of the same tropes and touchstones employed later by twenty-first-century writers of steampunk, in their contempor...
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
I have a fondness for historical fiction, something wondrous like 'Wolf Hall,' but I'll read most anything as long as the story grabs my mind or my heart, and preferably both. You would be hard pressed, however, to find science fiction on my shelves.
When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.
I didn't have a manifesto. I had some discontent. It seemed to me that midcentury mainstream American science fiction had often been triumphalist and militaristic, a sort of folk propaganda for American exceptionalism.
That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from begi...
