Kay Eiffel: [sees Harold for the first time] Oh, my God. Oh, my God. Oh, my God. Harold Crick: Miss Eiffel? Kay Eiffel: Your hair. Your eyes. Your fingers. Your shoes. Harold Crick: Hello. I'm Harold Crick. Kay Eiffel: I know.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations...
Mr. Codro's destiny is Ptolemaic; in other words, based on fiction. Ptolemaic says it all; it means above all fixed and unchanging, that is to say different from real life which is by nature changing and temporary. It means: not according to natural ...
The fatal error of much science fiction has been to subscribe to an optimism based on the idea that revolution, or a new gimmick, or a bunch of strong men, or an invasion of aliens, or the conquest of other planets, or the annihilation of half the wo...
The endless piles of genre fiction are the key to happiness. They’re the key to picking out the things that actually make you happy in this world instead of the things that you’re told are good for you. Ninety percent of everything you read is go...
I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues sp...
Turn around and believe that the good news that we are loved is better than we ever dared hope, and that to believe in that good news, to live out of it and toward it, to be in love with that good news, is of all glad things in this world the gladdes...
In 1850, August Salzmann photographed, near Jerusalem, the road to Beith-Lehem (as it was spelled at the time): nothing but stony ground, olive trees; but three tenses dizzy my consciousness: my present, the time of Jesus, and that of the photographe...
You squeeze the eyedropper, and a drop of pond water drips out onto the microscope stage. You look at the projected image. The drop is full of life - strange beings swimming, crawling, tumbling; high dramas of pursuit and escape, triumph and tragedy....
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. T...
As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justi...
If all that one sees is a tiny speck of perspective in the larger scheme of things. And each perspective is made alive by the amalgamation of learning. And learning is a mere accumulation of skill and knowledge : both deriving from Truth. And Truth i...
History is made not simply with events, but by remembering those events, a double drumbeat like a heartbeat. History can be written not only with books but with ceremonies. Yet a real event read about in a newspaper is not always more important than ...
Elizabeth disliked the tragic, martyred image of Virginia Woolf which grew up after her death. When she read the first volume of William Plomer's autobiography, At Home, in 1958, she told him that ‘only you seem to bring back Virginia's laughter - ...
I wasn't safe. I wasn't permanent. My life was a fiction I had created, like an alien who comes to earth and tries to pass as human. The affections of my friends meant nothing to me, directed, as they were, toward a person who wasn't there. There was...
How often do you ignore a dream, dismiss it as fantasy and then see echoes of the dream around you the following day? What if a dream were the forewarning of what will become your reality; if you are being told within the world of a dream what may oc...
And yes, the Hemingways, the Fitzgeralds, the Faulkners and the Capotes. Drank while writing. Drink next to the typewriter. But the longer I lived in Brooklyn, the more writers I met, and I guess I was just too drunk to put it together before but now...
Events cast their shadows ahead; before a harsh winter, wild animals grow thicker fur, and the beaver puts on a thicker layer of fat. What kind of times and what sort of tasks can lie ahead for a generation that must think so harshly, even at such a ...
My ears become my conduit to the world. In the darkness I listen—to thrillers, to detective novels, to romances; to family sagas, potboilers and historical novels; to ghost stories and classic fiction and chick lit; to bonkbusters and history books...
The serious writer was aware of a paradox at the heart of his art: his inner world, the place of the strongest stories, was infinite, but it was also embedded in – if this was possible! – an even more infinite universe of all things to write abou...
Sentimentality was used because other political avenues were closed, and authors hoped that through it they could bring about a political change that would fulfill the egalitarian promises of the Revolution. Real political venues were unavailable, so...
