Begin your writing, fiction or article, where the action begins. This action can be internal (e.g., an important insight or personal decision) or external (e.g., a murder or calamity). Begin too early, you lose your reader. Begin too late, you lose y...
Some people like just sitting down and being taken for a ride. That's a beautiful thing that fiction can do. But it's not the only thing. In television and film, people are ready to accept any kind of jump cut, but the slightest disturbance on the pa...
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window n...
Ramon Ramon is a riot. Totally paranoid, gangsta detective. Been reading it with my girlfriend on study breaks and it always gives us a good laugh. Not usually into fiction, but i've been giving this a shot as recommended. With all the heaviness this...
Of course, the fact that Dostoevsky can tell a juicy story isn’t enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they’re not even very good.
The God of the Old Testament is arguably the most unpleasant character in all fiction: jealous and proud of it; a petty, unjust, unforgiving control-freak; a vindictive, bloodthirsty ethnic cleanser; a misogynistic, homophobic, racist, infanticidal, ...
The world tends toward chaos, you know," Cassidy said. You could too. Just write down a made up name, or even a fictional character. And the next person who finds this geocache, it's as though things really hapened that way. You have to at least allo...
He who writes books that aim to convince is a comedian, too, just a comedian. What has he got to offer others, apart from chains, still more chains? Fiction never liberated anyone. No one ever brought anything back from voyages through dream worlds.
A brick could be used as a symbol for the kind of life I’m trying to build. The question now is, what kind of life am I trying to build? Well, I guess I want stability, longevity, and I’d like it two stories, with the second story being fiction, ...
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the boo...
I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she s...
Although selfhood depends causally upon the existence of the brain, it amounts to something far more than the brain. This something is vague and intangible, and might best be described, I think, as a semi-fictional narrative that is in constant need ...
Why do we weep once we know that everything will be alright? We weep because the only way everything could ever be alright is in fiction. We weep because what we've seen can't be true, no matter how badly we wish it were. We weep at the truth.
We all have a central fiction about ourselves, a favored delusion about talent or untapped potential. Most of us hang on to it as if it were a lifesaver, even though the obsession with it is often the very thing that drags us down and prevents us fro...
– No SF novel ever won the Booker, growls a prowling clansman on his way into the SF Café. The librarian swings a shotgun from inside her longcoat, blasts the bullshit axiom from the air. Screw the Booker, she thinks. She’d rather have a hookah.
Slipstream – sorry, - takes a cut-throat razor to the hackneyed clichés of both strange and mundane genres. It cannibalises them, retrofits them, treats them the way Godzilla treats Tokyo, the Burroughs treats Interzone. Smash and grab. Cut up and...
I wasn't writing home. I wasn't writing a death letter, either. I was writing a death journal, a piece of fiction meant for my family and my fiancee, Sara.
Scratching Yogi's ears Michelle says 'That's just part of his job, the comforting. That's what I mean by the bhatisvata. That he's more concerned with comforting and helping, even more than his own well-being." This is a trait that more "people" shou...
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the sy...
What happens when you don't know the truth but you can't believe the lies, when you can't find a way--through fact or fiction--to give meaning to your own existence? Without a narrative for your own life, do you ever really exist at all?
What happens when you don't know the truth but you can't believe the lies, when you can't find a way--through fact or fiction--to give meaning to your own existence? Without a narrative for you own life, do you ever really exist at all?