You want people - I want people to relate to me as a character. I want them to go, 'That could have been me,' or, 'I know someone like that.'
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
I think anybody would be hard pressed not to relate to at least one of the characters, because there's so many different multifaceted people populating this crazy world.
It's harder to write a story with just two people in a room than with 50 characters.
Ugly Betty' has definitely helped me cope with issues I would have never been able to cope with if I wasn't a part of a show that has such unique characters.
If a railroad is bent, the train shall turn over; if a man’s character is bent, he shall turn over just like that train.
Why should every single character be an honor student who goes around helping others and never doing anything wrong? Is that like the rule or something?
They wanted Bridgette to be this extremely enigmatic character. Im about the least enigmatic person on the planet, so I just thought what I did on the show was boring.
The failures of other genres to provide an emotional connection with some of their characters and narratives gives memoir a toehold.
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
People will speak slowly to me sometimes. And they always ask me if I'm all right, because I'm much more low-key and reserved than my character in 'Friends'.
I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene.
I think I find new idols every day - someone that says something really inspiring, is successful, has character.
What is more important is finding the soul of the character, and making sure it fits well into this story. And that it be dramatic and interesting and captivating, because these people weren't entertainers, you know.
Yeah, what happened was Universal wanted one of the characters to be nice so they chose me so there was a scene where the girl was tied to the bed and I let her go.
In 'Breaking Bad,' we have a lead character who definitely finds himself in a situation he would never have expected to find himself in normally.
My character on 'Orange is the New Black' is not one that requires being absolutely shredded with 5% body fat. But I wouldn't be opposed to doing that for a role one day.
No matter what name we give it or how we judge it, a candidate's character is central to political reporting because it is central to a citizen's decision in voting.
I think all characters are facets of the writer. In a way, they have to be if you're going to write them convincingly.
This is an area you always need to address when you're dealing with Dracula is the fact that there is something kind of attractive in his darkness - which there isn't in other horror characters.
All of my characters tend to be montages of different people I've met: little bits and pieces of their personalities put together.
