These are all voluntary resources which help parents sort out the choices without infringing on the artists' rights to free speech, which is something that we respect.
I was trained as a fine artist. I went to a progressive public school in Pennsylvania that developed these talents, but I was never able to apply to a decent college because I had no math, no science - I was allowed to just paint all day and write.
I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.
We are raising today's children in sterile, risk-averse and highly structured environments. In so doing, we are failing to cultivate artists, pioneers and entrepreneurs, and instead cultivating a generation of children who can follow the rules in org...
We're not afraid of risking what was our success yesterday in order to explore some new field. We're adventurous. We like the challenge of unknown territory, unknown artistic field, and that's what stimulates us.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
My role in society, or any artist's or poet's role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.
As artists, we'd all love to not be commercial - to not sell out to the full extent that we are able. But you do what you have to do to pay New York rent and continue to do what you feel strongly about.
I love being a mommy, and I love being an artist, and I love being a singer and an actress and making a movie - all that stuff I feel very passionate about, so I have a lot of energy for it.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
Love in capital letters is important. It is impossible to live without love. You must have the feeling of being loved. All artists need love - from the audience, friends and relatives. But true and faithful friends are exceptionally rare.
I'm doing things that are more artistic again, more close to the material that I love. I don't disparage those things that I did. They're just not as much reflective of who I am.
I don't know what else I would do. I love entertaining people, I love communicating, I love an audience. I'm a real artist, right from the bottom of my toes to the top of my head.
I would love to be looked at some day - and I'm not ever saying I'm at this level - but I'd love to be mentioned in the same breath as a Bowie or an Eno. Those are the people that I admire artistically, their career trajectory, the integrity througho...
I couldn't love a woman who inspired me to be totally disinterested. If I fell in love with a woman for an artistic reason, or from the point of view of my work, I think it would rob her of something.
There's no platform for an unsigned music scene in the main cities - it's all hyped acts or showcases behind closed doors. I read about artists that are doing it 'the old-fashioned way' and touring, as if that's a unique thing to do - well, that shou...
I'm listing to music all the time. I have favorite artists. Kid Rock loves the Civil Wars' song 'Barton Hollow.' We both said that's our favorite country song of the year. That knocks me out.
If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.
That type of autograph, pictures and apparel thievery was not part of what I grew up with. I loved the artists and their music. I would be thrilled to meet them, but the thought of getting a scribble or stealing an article of clothing never occurred ...
I've had the privilege of meeting and/or interviewing most of the top metal and hard rock artists at various points in my career and sharing their stories and music with millions of fans on air through TV and radio.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
