It's really easy to project this whole ideology of what being an artiste is, and I'm just not down with intellectualizing it. I just think, if you feel like doing something, then do it.
My hardest thing was to let go, to be happy for everybody and just to enjoy. And go back to being what you were before you became an artist, and that was just a fan.
I am the type of artist where you can't tell me anything. I have always been that way. I am right. I don't need any input.
At the back of our brains, so to speak, there was a forgotten blaze or burst of astonishment at our own existence. The object of the artistic and spiritual life was to dig for this submerged sunrise of wonder.
It’s called ”being an artist” for a reason; it’s something YOU ARE. It’s how you live. It’s WHO you are. How you spend your life and what you leave behind.
In any country, in any city, there will be political influence on what is said, what kind of images are to be projected and, yes, of course artists can be and are influenced by politicians.
I feel, as an artist, I should be able to express who I am and the things I come from, and the places I want to also be.
If I like a make-up artist's look, even if nobody knows about her, I use her. New people give me energy.
I don't really have control over my direct impression on people anymore. I used to be the person putting my CD in people's hands. But I'm kind of a mainstream artist now. Not by choice.
It was just me in my basement honing my skills, hearing songs on the radio and trying to manipulate them and then writing over those, and I started with local artists in Boston, writing records for them.
Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.
I've never heard a man in a suit tell me what to wear; that's not their forte. You hire your stylist; whatever someone's image is as an artist is what they've chosen to portray.
You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
I have to tell you, you can't have an ego when you're an actor. A lot of actors have them, but in reality most of those people are just sensitive artists dying for a hug and a compliment.
All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up.
And every good artist knows that the gift comes from somewhere else, and it's there for a reason, and that's to make the world a better place.
There are goals that I had set out for myself as an artist. I have accomplished some of them - becoming accepted all over the world - however, other parts of my goals have not been completed.
