I am not a natural singer, but I can sing, and probably the way I sing is more imitative than from myself, which is why I am never going to be an amazing recording artist.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I believe that artistic activities change people. You do effect change. I see architecture as a political, social and cultural act - that is its primary role.
For me, the gallery legitimates the art production and helps build collections. I don't think an artist should do everything by himself forever. I did it for years and then slowly built my circle of trust.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
I would begin by collecting lithographs and etchings. It's a way of coming in and benefiting from real quality art. Even younger artists make wonderful prints. Prints can become very valuable. That's how I began collecting.
The house has to please everyone, contrary to the work of art which does not. The work is a private matter for the artist. The house is not.
My dad's an artist, and my grandfather paints - he's not a painter; my grandfather's a butcher - but he does a lot of crafts, stained glass, painting, that stuff. There is art in our family, and I was an art major in college along with being a theate...
I'm really into California art from the '60s. I like a lot of Bay Area artists, like Nathan Oliveira and Bruce Conner.
I choose films for their artistic value. I don't need a mansion or a Jaguar. When I leave this Earth, I won't take any money with me. All I will leave behind will be my art.
I've been called many names like perfectionist, difficult and obsessive. I think it takes obsession, takes searching for the details for any artist to be good.
Whatever is about you that is translated into your art, that's gonna keep you completly original and fresh and I just think that, that's just the best advice I can give, to an artist creatively.
Well to be perfectly frank with you I never created art or have done demonstrations for anyone before myself artistically. I always do it to try to push my own envelope to be the best I can be.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
I'm not such an artist type that I can't handle the real world. I read the financial pages, because most people don't talk about art.
At Cornell, my acting teacher said you cannot be religious and be an artist. I sort of got it, because faith is a comfort and art comes from a lot of places, in a lot of people, from the dark chasm.
Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art.
Art and money are closely related. Try sitting down with a group of artists and ask them what's on their mind. Very quickly the topic shifts to money. And it can be very hard to get them off that subject.
I wanted to be an artist. I was studying art. I wanted to be a great painter. When I went into the Navy, there wasn't much to draw at sea. So I began writing, and I began reading a lot.
The art of an artist must be his own art. It is... always a continuous chain of little inventions, little technical discoveries of one's own, in one's relation to the tool, the material and the colors.
