I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.
Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion.
Bad Religion took a long time to develop into gold-record-status artists. Along the way we learned and applied our knowledge, and Atlantic helped us every step of the way, since 1993.
The conductor is the artistic leader and sometimes cultural arbiter of his or her community. It is their leadership that is looked to and should anything go wrong, they are the persons taking most of the heat.
I want to be a recording artist for my whole entire life. But Broadway is something I would come back to at any given moment. I love, love, love doing theater.
Artists - musicians, painters, writers, poets - always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.
I'm quite sure that all true professional artists, of every description, in all walks of life, whether their craft is painting, music, sculpture, medicine or anything, have one primary concern - mankind.
If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role.
One travels so as to learn once more how to marvel at life in the way a child does. And blessed be the poet, the artist who knows how to keep alive his sense of wonder.
My time in Weimar Berlin was the most elegant in my life. I would have parties for a hundred people - writers, scientists, artists.
That's part of the requirement for me to be an artist is that you're trying to share your personal existence with others and trying to illuminate modern life, trying to understand life.
Caught up in life, you see it badly. You suffer from it or enjoy it too much. The artist, in my opinion, is a monstrosity, something outside of nature.
There are people who help you in life. I've been given a helping hand, and that's why I feel it's my duty to help younger artists.
I know who I am and what I'm doing in my life and what I've accomplished and continue to accomplish as a performer, as a writer, as an artist, as a person, as a human being.
The partnership over the 28 years we had the company afforded him the opportunity to experiment and live his life as an artist and a label honcho and do what he wanted to do. It afforded me the same opportunity.
We don't really want to think that the artist is only very skilled, that he has merely devoted his life to perfecting a certain set of intelligible skills.
I think how Chicago plays a role in my life - it had such a role in my youth and the decisions that I made as a kid and formulated who I am as an artist early on.
I feel like my peers now are artists like Madonna and the Stones, Michael Jackson and Prince. These are people who were able to take their careers beyond the normal here-today-gone-tomorrow life span.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
Really it was the first time in my life that I recognised that acting is, I'm just going to say it, I am an artist, I have to do this, I have to do this.
