When I first went to places where people were suffering from war and persecution, I felt ashamed of my feelings of sadness. I could see more possibilities in my life.
When my twin grandchildren, Linda and Lyeke, were born two years ago, it changed me. I felt it was the essence of what life is about, and I cried all day. When my son Pierre, their father, was born I didn't cry like that.
I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
I was always respectful of people who were deeply religious because I always felt that if they gave themselves to it, then it had to be important to them. But if you can go through life without it, that's OK, too. It's whatever suits you.
I started to work on a feature-length script about pirates in Somalia, but I knew that there was something I was missing, which was that I didn't know what day-to-day life looked like and felt like in East Africa. So I decided I had to go.
It has been an interesting road, but I wouldn't trade any of it for the world, because I feel like all of those instances in my life I felt molded me and strengthened me and made me who I am.
I always felt like I needed to act. Not that I wanted to act, but I needed to. And I still feel that same way. There's an expression that I get to have in acting that I can't consciously express in my life. It has always defined me and it always will...
I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
I'm very excited to see the wonderful 2-D characters in Poptropica come to life in the form of 3-D toys. When I first held the characters in my hands, it felt like magic. I'm excited for kids to have the same feeling!
I felt black. I was as far as I was concerned. And I wanted to be black for lots of reasons. They were better musicians, they were better athletes, they were not uptight about sex, and they knew how to enjoy life better than most people.
Although Salinger had long since cut me out of his life completely and made it plain that he had nothing but contempt for me, the thought of becoming the object of his wrath was more than I felt ready to take on.
I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. This is your box, and you're not allowed to stray outside of it.
There have been times in my life when I have felt like I can't go out without my makeup on. But now I just put on some dark glasses so people can't see if I look rough!
Why am I not feminist? Maybe because I come from a country where my mother ruled my life. I never felt in any way that I couldn't achieve what I want.
I felt like it was inevitable that I was going to fail in life and die young. So I was frantically scrambling to document my stunts and pack my message into a bottle. I thought maybe I could be discovered after I'd died, like Van Gogh.
In legal practice, in the representation of clients, I have always felt deeply engaged, serene, and not all inclined to stand aside. I have always done whatever needed to be done, and have usually gotten my way.
My mother felt we'd be earning a living during our entire adult lives, and therefore believed we should spend summers in learning activities. Consequently, I got to see a plate glass factory in Pittsburgh, a U.S. Steel plant, and how Heinz made ketch...
Waving the flag at the 1976 Olympics wasn't my idea. It was too much apple pie and ice cream. Not that I don't love my country, but I felt it was my victory up there, I put all the time into it.
I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it.
On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
I suppose I'd always been attracted to commitment-phobes because some part of me felt unlovable. It was a lot easier to fall for a guy who I knew, on some level, wouldn't fall in love with me. There was nothing to risk. The real risk would be to fina...
