What kind of man would I have been if I had not been there to help her? I felt along with her - not the physical pain, of course, but all her mental anguish. You can't be detached.
It felt as if my body was, like, literally betraying me because I went from a very athletic, straight-up-and-down little kid to a very curvaceous woman, and it was just horrifying to me.
In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
Sometimes you climb out of bed in the morning and you think, I'm not going to make it, but you laugh inside — remembering all the times you've felt that way.
I've never felt terribly attached to acting because I always feel like the world is really big and really interesting, and there are a lot of places that I can put my energy and be fulfilled.
Suddenly I felt that determination well up, which had helped me to accomplish things in the past, even when I was only six years old.
Just because I was almost 62, I did not feel decrepit and felt I wasn't finished being a soldier yet.
I remember thinking, 'I can't act.' Pretending to be someone else is a terrifying thought. The thing was that, along with other people, I could create a whole world. I felt absolutely right directing.
Every week when my batch of weekly cartoons would go to FedEx, it felt like a small miracle. Then in a few days, it's 'Here we go again.'
I wanted to rock back and forth between myth and distant futures, yesterday, today, and tomorrow. It felt a bit like prophecy and a bit like storytelling.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
I wrote what I felt I had to write, and I'm willing to put my own sanity and my reputation behind it.
A tragic situation exists precisely when virtue does not triumph but when it is still felt that man is nobler than the forces which destroy him.
Many people genuinely do not want to be saints, and it is probable that some who achieve or aspire to sainthood have never felt much temptation to be human beings.
The idea to do the album only on keyboards kind of happened by accident. I was quite happy with the sound and felt it really didn't need more instruments, so I didn't use them.
I wouldn't have been able to move to L.A. if I felt I was going to lose my identity as a New Jerseyian. My accent has gotten thicker since I've lived here.
In the midst of applying for American citizenship, of finally attempting to get my presidents in a row, I felt it incumbent upon myself to explore the national psyche in every way.
Even when I became the typical shy adolescent, I never minded performing. I felt there was a kind of safety, a protection about being on stage, about losing myself in another character.
When I was younger - up until I was 19 years old and in college - I was surrounded with people in high school who felt like they knew what they wanted to do with their lives, and that was intimidating to me because I didn't.
I was born in 1961. Now I think the 16 years that elapsed between 1961 and the end of the wars is nothing. To a child growing up it felt like an eternity, an entirely different world.
Well, yeah, I wanted to resist the urge to thicken everything up with instrumentation, because I just felt like I was interested in seeing how the songs did on their own.