As in all matters involving love, which has so many different meanings, you find that the feeling that we label 'love' is not a simple feeling, it's a very complex one. Under the heading 'love' can come all sorts of rage and desperation.
When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.
I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
I feel her tears every night hitting the hard dusty ground of my dessert heart and making a whooshing noise that echoes through my bones and veins with great anguish. It's the worst feeling I've ever had.
People say home is where the heart is but my heart feels far from home i just feel like an outsider or someone who is a freak but i know one thing for certain love can make a family
If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.
It's like a prehistoric reflex, you know, going out and getting the meat and bringing it back to the cave. You feel you're supposed to make it better, but more than likely she's asking you to tell her how you feel.
CNN is getting smarter, and you can feel it in the stories, you can feel it in the depth with which they're covered, the kinds of people in terms of guests who are brought on air, the way in which issues are discussed.
I like to be comfortable. And I don't like to have to worry about having to adjust things if things are too short; I don't want to feel self conscious, so I like to wear things that make me feel empowered.
I want people to feel safe around me. Calm and at peace and I want to make people feel accepted. I want to express confidence on my own path, and spread confidence to other people on theirs.
One of the hardest aspects of this protracted public persona is not knowing others as well as they feel they know me. It's a rather clumsy feeling actually; to not know someone who acts as though you're old friends.
When I sing I don't feel like it's me. I feel I am fabulous, like I'm 10 feet tall. I am the greatest. I am the strongest. I am Samson. I'm whoever I want to be.
I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.
When you see 'Lord of the Rings,' you want to feel like you've been dropped into it and that you're part of it. You don't want to be aware of how it's being done; you just want it to feel really seamless.
The thing about the performance part... starting with improv and standup, you're starting with yourself as the character, and I don't feel as much like, 'Oh, I'm a vessel for -' I feel like someone who calls themselves an actor is a vessel.
I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.
I drove through the stockyards of Texas on a motorcycle. It doesn't let you escape what surrounds you and what it smells like and feels like - and what hit me was the realization that something that was alive and had feelings will suffer before a pie...
I feel like, sometimes, people, because of the amount of media, because of the amount of attention, people seem to think I have to do things. Like, I have to win right now! But I don't feel like that.
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at something larger than themselves. That feeling of awe, of going to a cathedral, it's all about feeling lost in something bigger than oneself. To me, that's...
I like the feeling of not knowing where to look when you are only performing for one person or watching someone practice. It creates this kind of a strange in-between, which can be mirrored in the feeling of making a painting.
Make a conscious effort to loosen your hands and let your arms feel soft when you're at address. Take the club back a bit shorter, and feel as if you're cracking a whip on the way down - not tensing up to smash something hard.
