Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy.
When you are at a loss of words then go with your feelings. If you feel nothing you must rely on your thinking. If your thinking is not clear then lean on the spirit. With Spirit you cannot go wrong!
There's a difference between wanting to appear confident and actually feeling confident. I think there have been many times when I've overcompensated for how nervous or out of place I feel. I was like that at school.
In the depth of a spring, if you ever feel lonely and feel the need of my love, just remember me, I will be there to listen to your heart beats and silent songs of your soul.
I feel traveling certainly does broaden the mind. In my case certainly I feel more confident. It gives you a new perspective on the world.
It is less fun to talk about what I am feeling rather than what I am thinking. Saying 'I feel awesome' isn't really interesting or enquiring.
Do you suffer when you write? I don't at all. Suffer like a bastard when don't write, or just before, and feel empty and fucked out afterwards. But never feel as good as while writing.
Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.
I had never confronted my parents with the true feelings I had for them, and I had certainly never expressed the depth of my feeling for my mother, being too selfish to try when I should have.
You get the feeling that many of my guests feel that the French language gives them entry into a more cultivated, more intelligent world, more highly civilised too, with rules.
I find it to be strange that people get obsessed about how fast actresses and celebrities are taking off their baby weight. I guess people like to look to them and feel better about themselves or feel worse about themselves.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
I'm a big baseball fan, and I feel proprietary about the Dodgers. I'm not the owner. I'm not the manager. But I feel passionate about the decisions that they make, and I take it personally when they make decisions I don't like.
A lot of YouTubers, because they have such pride in what they do, have a negative connotation towards television. I don't feel that way. I feel like it's another medium to reach a broader audience.
Marriage is a bond of mutual affection and admiration. But what if someone can only feel affection and admiration with material things because he feels secure and valuable that way?
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
Even though I've been doing it for so long, I still feel fresh. Even when I walk out on stage, I still feel pretty much the same as I've always felt.
You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
Dividers seek to make themselves look or feel better by making others feel worse. They damage relationships, fracture teams and organizations, and create havoc in people's lives.
I'm not really afraid of things that are imaginary. I enjoy it. I enjoy big narrative, and I enjoy big feelings. Having a feeling is never going to kill you.
