Since we do in reality need one another ("it is not good for man to be alone"), then the failure of this need to appear as Need-love in consciousness - in other words, the illusory feeling that it is good for us to be alone - is a Bad spiritual sympt...
Carol Connelly: Is it a secret what you're doing here? Melvin Udall: I had to see you. Carol Connelly: Because? Melvin Udall: It relaxes me. I'd feel better sitting ouside your apartment on the curb than any other place I can think of or imagine.
[as they set out across the desert] Tuco: What was it you told me the last time? Ah, yes..."If you save your breath I feel a man like you can manage it." And if you won't manage it, you'll die... only slowly. *Very* slowly, old friend.
Before she closed the door, she hit me with this one: "I feel like it's November first," she said, "and I'm that discarded jack-o'-lantern whose heart and guts are splattered all over the boulevard of broken promises." "And a good night to you, too,"...
No actor is a success unless he feels inside himself, as long as he lives, that he is good.
I feel that a lot of people say that your best passing attack is having a good run game. I couldn't agree more with that.
As the late baseball manager Sparky Anderson put it: “Losing hurts twice as bad as winning feels good.
If truth is not objective, there is no good or evil. There is only what people do and how people feel about it.
I went to Brazil in 2010 and pretty much did songs about that trip. I was there just to hang out, chill with the people, and feel the vibe. It was great - tons of great women, great skin, good beaches. Can't complain; the food is great.
I feel like so often I'm just, like, running around and eating in the car, which is, like, not good, or eating as I'm walking down the street.
You kind of hope as a musician that you get some recognition for what you do, and when you do, it's nice. It's a really good feeling.
I don't know what goes on behind my back... I always feel like, if you don't have anything good to say, then don't say anything.
I have an intuition, and usually my intuition is right. I have a feeling for whether a role will be good or bad for me, and I almost never make a mistake.
To re-embrace what I once loved about music has been a warming process for me, because it's a good, earned feeling now.
I always say my music is like dark blue or black, like a punch to your gut that feels really good.
I competed in a test round of 'Kitchen Casino.' I feel like it's good to know what the competitors are going through.
I feel like 'Beware' is a heartfelt song - it's something that is definitely a story, something that I cultivated from personal stories, some from just other stories in just wanting to make a good song.
I've never formally trained for pain management, but I have a good understanding of how to conquer it. I just analyze the pain, feel it in the moment, and then mentally become numb to it.
A bland smile is like a green light at an intersection, it feels good when you get one, but you forget it the moment you're past it.
You know, it's always good to have seen a track before, just to kind of know where the little bumps are here and there, and just the general feel for the size.
I always feel that if you put me in a room with a director and a writer and let me talk about the script, I can give a good account of myself.
