Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
The people who had the most impact on me when I was young were Freud and Darwin, but growing up I also had my film idols.
When I was a kid, I loved Nicholas brothers films. It was like skateboarding. Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding.
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we had the Internet in those days, we wouldn't have needed the Co-Op.
I found school quite tough, but Saturday night was movie night, and I started to empathise with the characters on screen. I started to get more involved with what these people were experiencing. Film inspired me to do better.
And because performing for a game involves real acting. The way they create a game is very similar now to how they create a film. I've always wanted to stretch my acting skills, and the timing being what it is, I couldn't say no.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or no...
Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.
I've had a lazy career. Sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
I know, a lot of the films I've done, it's obvious I'm going to beat up six guys and just walk out the door. There's not a lot of motivating factors - it's just action for the sake of action.
People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.
I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see something, to be disappointed. I think he expected more from the film and himself.
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
I'm working on a few different films and I'm just searching for the right new story to tell. As a director, you just have to kind of like just get through the first project before starting on the next one.
I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the '30s and '40s. Somehow they were less distracted about hardware, and more about production values and people, you ...
I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
