The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.
Really interesting genre films, especially monster movies, evoke the fears of the times intentionally. Our starting point was 'Godzilla' - the original movie was released less than 10 years after Hiroshima, and it's a classic in Japan.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.
My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film in...
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the f...
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
I like doing films and I wish that I could do more but I still have to audition. I don't get offered starring roles in movies even though I've written and starred in a movie.
I really would have been stupid not to have done it. It was also a film that was actually happening, I mean, Miramax was doing it, and it had a kind of legitimacy to it. And once I read the script, I was there.
I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.
Well, filming in Hawaii, you know, is a blessing. It's one of the most beautiful places on this planet. It has a very mystic energy which informs you as an actor.
I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
In England or America, actors do not have to cater to an image. In India, it is almost demanded of us. Very seldom do you get a film where you can walk away from your image.
I completely take on the risk, the poker game, which being an artist means, and I'm going to try to make a film which honestly reflects what I have in my head.
Abroad, they have covered pretty much all subjects, explored every possibility, every twist. So similarities between ideas you have and those filmed abroad are quite possible.
The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.
I think ultimately if you have a very high expectation of your audience and you know exactly what it is you're trying to express through the medium of film, there will always be an audience for you.
The doctors say it dates back to a film where I had these huge prosthetic breasts because my character was breast-feeding. The weight of them, and of the baby, did my back in.
It might kill you to say it, because the film really takes on the Catholic Church, but I do think there is a sort of affection for certain rituals, and an authenticity to the presentation of those rituals, in 'Mea Maxima Culpa.'
I view every film as a commitment to undertake a long journey. I suppose this has to do with my need to leave no stone unturned, and sometimes to even dig deeper into the mine.
