But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to str...
Not to be narcissistic, but I truly believe in order to make yourself better, you should see what you did before and what was good about that and what wasn't - same way a football team plays a game and then they go back and watch film.
When I see great film, I have this feeling of 'Oh, wow! Wasn't that great? Wasn't that good?' I want to do something. I want to scream and go out there and participate and embrace life.
I don't have any great detail or logic or exact point that I look for in a film. It's just if I get a good sense from it and I feel that there is something interesting that we may be able to do with it, then I just kind of go for it.
The first few films I made didn't look good at all, and I wasn't trying to make them look good. People dig 'em because they like the content.
Your personal life is something that's gonna last forever, and your career in stage, film, television, whatever, is not necessarily going to do that, so to keep the two separate's a very good thing.
There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.
At the beginning, Edo was a photographer, and I was more of a talent scout and doing styling and modelling. Then all of a sudden, in 1977, he gave me a Polaroid camera, and I discovered that instead of having to go to a lab and develop the film, I co...
I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.
I was on the set of 'Braveheart' and my mate says to me, 'Do you think this film will be any good?' And I really meant this, too, I told him 'Let me put it this way - It won't win any awards.' Cut to: five Oscars.
Yes, I was correctly quoted in saying I introduced sex into films in the 20's, but it was sex in good taste and left a great deal to one's imagination.
Films were never in my budget. Didn't occur to me till much later. I hoped for a long, good life, which I've had and I'm having as an actor. I didn't expect the rest.
I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I can't say I've ever finished a film and been particularly thrilled with myself or patted myself on the back. And maybe that's what keeps me going, and that's a good thing. It speaks volumes about how I perceive myself.
I haven't got an opportunity to experiment with the dimensions of my moustache much. But yes, if the role demands, I'm ready to shave it off. I feel it's good to have moustaches for South films, but I'd love to remove my moustache; why not?
Television has changed. Some feels like good old-fashioned TV, and some of it feels more filmic and more natural and more nuanced. I don't think there's any clear line any longer between film and TV.
I agree when others say I am underrated as an actor... When you give super-hit films, then only you are considered as a good actor. At least, that is how it is there in our industry. I think you need to be successful to be appreciated.
Eventually, the most important thing is success. I want to achieve a lot of success. It doesn't feel good when your film doesn't do well, and yet you are appreciated... everybody should succeed.
