How can you stand touching her?” my sister blurted, staring at our clasped hands. “Doesn’t that hurt?” I seized on the change of topic. “These gloves are specialized rubber. They block the current.” Gretchen’s gaze traveled over Vlad, d...
Atheism is a conclusion reached by the most reasonable methods and one which is not asserted dogmatically but is explained in its every feature by the light of reason. The atheist does not boast of knowing in a vainglorious, empty sense. He understan...
How many times did the sun shine, how many times did the wind howl over the desolate tundras, over the bleak immensity of the Siberian taigas, over the brown deserts where the Earth’s salt shines, over the high peaks capped with silver, over the sh...
I now want to examine a second major feature of Western civilization that derives from Christianity. This is what philosopher Charles Taylor calls the 'affirmation of ordinary life.' It is the simple idea that ordinary people are fallible, and yet th...
Dissection ... teaches us that the body of man is made up of certain kinds of material, so differing from each other in optical and other physical characters and so built up together as to give the body certain structural features. Chemical examinati...
Before criticize common-known thieves severely, think for a while that maybe you are thief, too. Believe me, there is no special distinctive feature that enables us to determine who is a thief. Only the way to earn your bread can determine it. So at ...
Clarence Worley: It's nice to meet people with common interests, ain't it? Well, enough about the King, how 'bout... how 'bout you? Lucy: How 'bout me what? Clarence Worley: How 'bout you go to the movies with me tonight? Lucy: What are we gonna see?...
But in the meantime, as a temporary measure, I hold what I call the doctrine of the jig-saw puzzle. That is: this remarkable occurrence, and that, and the other may be, and usually are, of no significance. Coincidence and chance and unsearchable caus...
As he stood there lost in reflection, Auclair thought he seemed more like a man revolving plans for a new struggle with fortune than one looking back upon a life of brilliant features. The Count had the bearing of a fencer when he takes up the foil; ...
Watching Jaws just scared the living daylights out of me when I was young. I know a lot of people my age who are still petrified of sharks because of that film.
I was getting offers. I had just turned them down. Then I realized I should be grateful that at age 54, people were still offering me film roles.
What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.
And I'm hoping that over the next 20, 50 years, whatever, the mystique of television and film and all that will diminish somewhat, and people will leave us alone to get on with our jobs.
I have a lot of favorite films. I tend to love the silliness of 'Bringing Up Baby.' 'Charade' is fantastic. 'His Girl Friday,' the banter in that, that alone made me want to be a writer.
But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.
'Beatrice Cenci' was an amazing film. If it were released today it'd win Best Picture. It's so well done, it's so contemporary, and the filmmaking is so smart.
Everyone feels a sense of ownership in creating a Lynn Shelton movie. Lynn chooses amazing people - including the crew. Every person there is committed to making the film the best it can be.
I'd love to do a film with Michael Fassbender. He's one of my heroes. I think he's absolutely amazing and I would love to do a project with him.
Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved.
Not just art for art's sake, but I want to have films out there that will provoke authentic, holistic conversations about the human condition. And not provide the easy answers, but put it out there.
I think in art, but especially in films, people are trying to confirm their own existences.
