My first experience on a feature film was with Shane Meadows on 'This Is England.'
Making your first feature film is actually impossible.
I want to do feature films. I am flying to Malaysia to be in another feature film. We will be filming that in Malaysia, the Phillipines, and back in California.
Angel was the first Irish feature film. Neil's first movie and my first movie.
A feature film is twenty-four lies per second.
[subtitled version] Paul: We're not up to feature film length yet.
When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'
Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
In feature films the director is God; in documentary films God is the director.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
I'm very happy with the success of short films. In fact, for me, the short films make more money than the features.
In feature films the director is God; in documentary films God is the director" - Alfred Hitchcock
I prefer doing feature films.
It proved to be pretty impossible to get funds for a feature film in Finland. It's still small, but the film industry was miniscule at that point in the early '80s.
As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.
Big feature films are another world.
A lot of feature films do two pages a day.
Most feature films are 35-40 shooting days.
When we started Angels & Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.
I graduated from UC San Diego, wanted to work in film to get my hands-on real experience, did music videos, TV, feature films, all kinds of stuff.
We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big ...
