I'm definitely lucky to have been included in some of the perks of my brother's connections in the fashion world. It's helpful considering I'm still like a five-year-old when it comes to shopping.
People run their lives in many ways - peaceful, scary, fashionable, complicated or simple. Point is, everyone has the opportunity to do it right or wrong and the chance to be grateful or ask for forgiveness.
A fashionable milieu is one in which everybody's opinion is made up of the opinion of all the others. Has everybody a different opinion? Then it is a literary milieu.
Fashion is such an insider's club, but slowly, the playing field is evening out. Through social media, everyone can have a front-row seat.
The fashion editor as it used to be has changed. Now you have to wear many hats, and whoever tells you differently is wrong. Now you're on TV, whether you want it or not.
The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.
Fashion is not enough anymore. It's not just about what you wear. I mean, I don't know how many women can afford to take the time to come to Paris for three fittings.
In fashion, the time is so short, and even with pre-collection, there are not only dresses, shoes, bags, and furs but now raincoats and T-shirts. It's just an endless amount of work that we have to produce in no time.
I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore.
British fashion is self confident and fearless. It refuses to bow to commerce, thus generating a constant flow of new ideas whilst drawing in British heritage.
That was all I wanted!" whispered Polly, in a tone which caused him to feel that the race of angels was not entirely extinct.
The emerging woman ... will be strong-minded, strong-hearted, strong-souled, and strong-bodied...strength and beauty must go together.
I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.
Traveling around Ethiopia, I saw dozens of abandoned textile factories. People kept asking me to help them find work. So I thought I could make use of my experience in fashion to commercialize their products outside of Ethiopia.
I like people-watching and getting inspiration from the unique people who don't follow any fashion tides. From 12-year-olds who have full freedom, to 86-year-old ladies with a ton of class.
You know when people start talking about freedom they have to be old. They gotta be old-fashioned and really out of touch. Freedom? Well, what's that? Who needs any of that?
The '90s were extremely diverse, almost like a laboratory of the new century. There was much experimenting around, in politics, economics, gender and family structures, and also in fashion. There was a cloud of possibilities which kept us all dizzy.
I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
Fashion's important to me, but beauty fades. All that stuff is fun while it lasts, but anything can happen tomorrow. You've got to have so much more about you than the way you look or your clothes.
Beauty is composed of an eternal, invariable element whose quantity is extremely difficult to determine, and a relative element which might be, either by turns or all at once, period, fashion, moral, passion.
I'm just excited to be in the fashion business. With my son, we did Trukfit, and I think that's been super innovative for the people that bought it and his lifestyle and how he comes across with the skater look. We just excited.
