One of the perks of my job as a fashion journalist is the travel opportunity.
I've taken the love of fashion from my mother, and journalism from my father.
I love fashion, and that's how I express myself.
I don't really go to fashion parties; they're not my scene.
I see myself as a revolutionary, as a fashion rebel.
Fashion should be fun and accessible.
I'm merely a fan of fashion from high end to streetwear, from Nike to Comme des Garcons.
I never try to follow a trend or fashion.
Fashion isn't me, even though I work in it. It's just materialistic stuff.
My obsession is to make women beautiful. When you create with that in mind, things can't go out of fashion.
I tell women not to believe everything they read about fashion.
Fashion is killing women's body image of themselves.
In the early '20s, with the war over, there was a period of celebration, and you can see it in the fashion.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what...
The Show Must Go On!
It's good to be clever, but not to show it.
You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.
Mirrors have three purposes. To show you who you are. To show you who you were. And to show you who you want to be.
You show you care, you die. You show you fear, you die. You show nothing, maybe you live.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
