My shows aren't about trying to save some place, because I don't feel that's the right venue for it. That's my politics right there: Don't bring politics to my shows.
Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.
In our show you have to pay attention and know what happened before. I think it's very intelligent entertainment. It makes demands of viewers that a lot of shows don't.
I pitched my last children's show presentation in the mid 1980's. The era of locally produced children's shows was over and the networks were not and are not interested in children's television.
Just-poached vegetables show off their natural attributes and taste fresh and light in a way you never get with roasting or frying.
I was only ever part of 'Lost' - a very small part of an extremely talented writers' room, where as a writer, it's sort of your job to sublimate your ego and work in the service of the show and the show's voice.
Personally, I don't think we could do such a show if we didn't get along. The subtext of all this is that we're women in a show so we can't possibly get along. It's not like they write about The Sopranos like that.
'FlashForward' was a really fun show to make. Not to mention, I only worked, like, one day a week, and it paid the same as 'Happy Endings.' I got to make out with beautiful women on that show as well.
BABY BOY, FASHION IS NOT FOR ADVERTISING YOUR FAVE SEX ACTS ON YOUR SHIRT. UNH-UNH, NO IT'S NOT !
That's the fashion. Fast as the speed of light, they say. Ha! It's got no soul, sir, no heart.
Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion.
I find, the fancier the fashion magazine is, the worse the Photoshop. It’s as if they are already so disgusted that a human has to be in the clothes, they can’t stop erasing human features.
My mum is great for keeping hold of old classics - pieces of clothing that never age and never go out of fashion. She also says, 'Make sure you always smile - it makes everything look better!'
Growing up in Beirut, I used to go to the souks with my mother to buy fabrics... I understood fashion at an early age, and my first designs were when I was five.
Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous.
Woman is fine for her own satisfaction alone. No man will admire her the more, no woman will like her the better for it. Neatness and fashion are enough for the former, and a something of shabbiness or impropriety will be most endearing to the latter...
I love fashion from the 1930s and '40s - shoulder pads, high waists, things with structure. That is classy for me. Andrea Riseborough from the Madonna movie 'W.E.' had an amazing wardrobe.
I'm so excited for my first fragrance! I chose to partner with Dots because I love what they do for their customers, bringing them the hottest trends in fashion, accessories and fragrance at unbelievably low prices. It's amazing!
If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured.
When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.
As I got older I became a kind of sub cultural junkie, foraging around in music, street fashion and eventually art, politics and the freakier reaches of the Internet, hunting the next discovery, the next seam of underground gold.
