The ephemeral part of this work is that in music production, the sounds evolve so much faster than it used to, which means that you really have to put in a lot of work and effort in constantly designing the next sound that will move the culture forwa...
Within NASA, the shuttle is perhaps the least-groundbreaking project. Recall that Apollo was about creating brand-new technologies that did something unprecedented - putting men on the moon. The shuttle is, by comparison, a relic designed to make goi...
I'm an American designer. It's important to riff on that. I remember, when my mom and I first came to the States, she was so shocked that everyone was so dressed down in sandals and shorts. It's not quite like that in Asia. To give that a superluxuri...
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
I don't want to criticize any other designers, but I have to say that many of the people involved in this industry - directors and producers - are trying to make their games more like movies. They are longing to make movies rather than making videoga...
Gene Kranz: I don't care about what anything was DESIGNED to do, I care about what it CAN do.
Jails and prisons are designed to break human beings, to convert the population into specimens in a zoo - obedient to our keepers, but dangerous to each other.
The Heart Gallery premise is very simple. It is a special traveling exhibit of photographs featuring Los Angeles foster youth, designed to highlight the need to find loving adoptive families for waiting children.
We were designed to love and to be loved, to reach our dreams to unleash our potentials but not live in malice and envy, being hated and hating one another.
I've always been quite thrifty. I can't bear to spend hundreds of pounds on designer clothes. I shop in second-hand shops in Portobello Road and go to Sue Ryder.
We have learned by now, or should have, that the best-intended designers of aid programs can make ghastly mistakes in their sophisticated plans.
You gain and lose different things in different mediums or different sectors of different mediums. There are liberties you get on tiny indie films in terms of not having to be designed toward a marketing demographic.
When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
I'm an interior designer from the soul. It's not about just putting things in a room. It's much deeper and broader. It's about self-discovery.
A lot of designers get caught up in the creativity, but you've got to think about the legs of your collection - essentially, how the line is going to move forward.
Just look at all the awards shows now. It has turned into a catwalk. You have to be wearing a certain designer, a certain dress, and everyone's critiquing.
We have said the first step was to designate the land, inform the owners. And the second would be to get the responses from the owners. And this will be openly done.
For designers, the rigidity of an alphabet presents a never-ending artistic challenge: How do you do something new and still preserve the letters' essential forms?
If you think about it, if you've ever been to a Catholic service, it's practically a laser light show. It's very dramatic, very theatrical. The outfits they wear, it's all designed to be impressive.
As the world's finest democracy, we do not do guillotines. But there are other less bloody rituals of humiliation, designed to reassure the populace that order is restored, the Republic cleansed.
