Tom Reagan: You can't hijack me, Tic-tac, we're on the same side now. Or didn't you get that far in school?
Man on Phones: So far, over 900 fucking phone calls complaining about the foul language. Frank Hackett: Shit.
[lining up a rifle shot] Private Jackson: Be not Thou far from me, O Lord.
Joseph Bradley: How do you like Pakistan so far? Maya: It's kinda fucked up.
Money is finite; it's limited by a number and what you can buy with it. Power has no limits if you're willing to go far enough in order to get as much of it as you can.
Wet Hot American Summer so far is a financial disappointment and money was lost on it. But perhaps it will find its audience in video, cable, etc, maybe over the course of years.
A real gentleman, even if he loses everything he owns, must show no emotion. Money must be so far beneath a gentleman that it is hardly worth troubling about.
There's so little difference between television and features as far as you make the film. I mean, you have less money and it's a little quicker, but the concept is all on television.
As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much...
I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.
Learn to recognize true wealth. Money itself will not make you financially free. That comes as a result of only that powerful state of mind which tells us that we are worth far more than our money.
Nature has provided us a spectacular toolbox. The toolbox exists. An architect far better and smarter than us has given us that toolbox, and we now have the ability to use it.
For in the true nature of things, if we rightly consider, every green tree is far more glorious than if it were made of gold and silver.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
I would not go so far as to say that the French trade unions attached greater importance to the struggle for peace than the others did; but they certainly seemed to take it more to heart.
Some pacifists have carried the sound idea of the prime importance of security too far, to the point of declaring that any consideration of disarmament is superfluous and pointless as long as eternal peace has not been attained.
I think books, novels and autobiographies have a power to touch people far more personally than films do, so there's a bit more of a responsibility when you then dramatise it.
Global conditions are far too complex to be able to imagine that they could ever be really controlled by one power.
I've come to learn that the determined and gifted and genuine sociopath has far more power to deceive than we realize.
English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends.
When you're looking that far out, you're giving people their place in the universe, it touches people. Science is often visual, so it doesn't need translation. It's like poetry, it touches you.
