But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier year...
I have moved on from being a British parliamentarian, I have moved on from being a New Labour politician, I have moved on from being the supporter in the active day-to-day sense of Tony Blair.
I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense.
I wanted to take a stand against what I think was not so well established then but is thoroughly well established now, which is the substitution for a real sense of a country of a hideous distortion which you can sell to the people called 'heritage'.
A part of me is always envious of people who live in the present and are sustained by a sense of spontaneity. Even dogs have that capacity: they're always wanting to participate in something, and I don't often have that element in me.
We are a continuum. Just as we reach back to our ancestors for our fundamental values, so we, as guardians of that legacy, must reach ahead to our children and their children. And we do so with a sense of sacredness in that reaching.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word 'industry' is misleading. A small national cinema has no industry in the Hollywood ...
The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tacti...
I say it is indispensable to look ahead of and behind oneself in the present. If there is such a thing as tradition, and I believe there is, it can only exist in the sense of the most profound movements of culture.
But bid life seize the present? It lives less in the present Than in the future always, And less in both together Than in the past. The present Is too much for the senses, Too crowding, too confusing— Too present to imagine.
Social media has given companies access to unprecedented amounts of information on client behavior and preferences - so-called Big Data. But making sense of it all and turning it into actionable policy has been elusive.
But I quite like that the public has a very short attention span. If I haven't been on telly for a little bit, I can sense it. People don't take as much notice of you, it's really quite palpable.
You look at John Travolta in 'Pulp Fiction', you look at Donnie Wahlberg in 'The Sixth Sense.' People have liens against them in crazy ways and the audience is always forgiving - if you prove it.
We can never know the impact a simple smile has on another. Smiling is one of the easiest things we can do. Is there a simpler, more effortless way to give everyone you meet a moment of joy, even a sense of worth?
I grew up in the East Village with a lot of old people in my building, and I'm not sure if they lost their sense of smell over the years, but they always seemed to smell like they poured a bottle of perfume on themselves. I never want to become that ...
People think of Jews as the Woody Allen stereotype, the nebbishy kind of thing, but that's not the kind of Jews I know. I know plenty of Israelis and plenty of tough guys that are Jewish. So, I think it makes sense that Jews play metal.
You have to wonder at times what you're doing out there. Over the years, I've given myself a thousand reasons to keep running, but it always comes back to where it started. It comes down to self-satisfaction and a sense of achievement.
I was a hacker of sorts. Not a mind 'reader,' exactly; more a mind 'radar,' in tune with the workings of the aether. I could sense the nuances of dreamscapes and rogue spirits. Things outside myself. Things the average voyant wouldn't feel.
It's always a tough call deciding whether, as a scientist, you should argue publicly with the creationists. It's a dilemma that I encounter frequently in another subject area: Does it make sense to bandy words with someone from the UFO community?
The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.
Sometimes, I get afraid it has defined me, that sense of grief, loss and illness. But actually, it is about allowing myself to take hold and say: 'This is part of who I am, but not only who I am.'
