Dope never helped anybody sing better or play music better or do anything better. All dope can do for you is kill you - and kill you the long, slow, hard way. And it can kill the people you love right along with you.
Coach Skiles is tough. He's been my only coach in the NBA, so I'm used to it. His rules are a little different at times. At the end of the day, he just wants you to play hard defense, and you can't fault him for that.
I started playing basketball when I was about three years old. After that, everything else just came naturally. I had older cousins that used to let me hang with them, so I got my toughness from them.
I only wish I could have played in the big leagues when I was young enough to show what I could do. When an offer was given to me to join up, I was too old, and I knew it.
God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris o...
Games bring another level out in you. There is no way you can train to the same intensity when you are playing a game. It is just impossible. Your head won't allow you to do it. Because the adrenalin of a game and the importance of it steps it up to ...
Greg Ginn was certainly a huge influence on my guitar playing. I put him up there with people like Eddie Van Halen. Eddie Van Halen changed everything; I don't necessarily like everything he did, but he definitely changed everything.
I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet ...
Almost everything I've done, I've done through my own creativity. I don't think I ever had to listen to anyone else to learn how to play drums. I wish I could say that for about ten thousand other drummers.
I'm really glad I didn't have kids earlier, because I probably would have ignored them. I was so into my career. I could just go and play a ton of shows, night after night after night. I can't do that anymore.
When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won norm...
I remember Mick Jagger asking me 'hey, how do you guys feel about us coming over here and taking all the play from you guys?' I said 'Well, in a way, you have eliminated all my competition.
As I look out there and see the culture of baseball, a lot of blacks and Latins, it's given me a lot of joy to know that Jackie started that. If Jackie hadn't come in '47, me and Ron Santo wouldn't have played in Double-A and all those years in the b...
There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you...
He'd wanted to mend her just like his mother had mended his favorite teddy bear when his arm had come loose after too much play. He offered her his pudding cup instead.
If there is a record I don't have, I haven't heard it yet. My collection is always growing, but I can't really play it anywhere - no promoter is willing to pay for my crates of vinyl to fly with me, so I have a team of people to digitise it all.
We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the...
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever t...
These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives.
In the area we live, there's a large show of children who run from one house to another house to another house. That's lovely because it means all the children play together, and all the adults get to sit around and have coffees and read the papers o...
