I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.
People know what they're getting with me. It's part and parcel of football that people want to see new faces, but all I can do is play games, score goals and prove I can do it. My record is there for everyone to see.
I cycle, I take an hour's strenuous walk in the evening, I play tennis twice a week with a trainer, and I sail. I used to ride horses professionally - I'd ride seven or eight horses a day, so I had to be fit for that.
I was obsessed with X-Men as a kid, and I would have to go and play every last one of them. My sister was obsessed with Barbies. So we would create these X-Men-Barbie combos and perform weird musicals where they interacted with each other.
That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
A lot of the people in San Francisco think of themselves as healers - not just as people delivering this base service, but giving their clients spiritual help. It's almost like being an actor, playing a different part for each trick.
I actually ran in junior high school a little bit, you know, like most kids do in track and things. Then I got out of it and just trained for football and played ball for so many years - high school, college and the NFL.
The first episodes I actually read for 'Downton,' Sybil was really intimidated and hadn't come into her own. So it's only in Series Two that she's become so headstrong. In general, I find it exciting to play strong, female roles because they're shock...
I don't think a man has to go around shouting and play-acting to prove he is something. And a real man don't go around putting other guys down, trampling their feelings in the dirt, making out they're nothing.
I think I've proven with my career that I can play a wide variety of characters. Yet, I still get typecast as the crazy slob guy. That's how it always works.
I want my list of works to be lean and mean and everything was urgent and had to be done. Nothing to play the market. My family’s had to suffer for that, that I haven’t done commercial jobs just to bring home the bacon.
I did a lot of community theatre and met a manager that worked out of Philadelphia, and she started sending me up to New York for auditions, and I got the part in a play at Manhattan Theatre Club when I was 15.
We were so fundamental that almost everything had been stripped away from the place of worship. Think of the role words can play, when all other enticements and sensual attractions are gone.
I played in Kent's triumphant Second XI Trophy final team last season, ironically against Hampshire 2nds at the Rose Bowl last September, finishing with 2-17 off six overs.
You try to get the feel of any role, but it's much more difficult in the case of Christ because everyone has their own personal image of Him. It's a role you take on, knowing that no matter how you play it, you are going to disappoint many.
The problem with the Moodies is not what to play, it's what to leave out! That's always difficult. We stopped having support acts many years ago just because of that. We needed getting on to two hours; there's such a big catalog to call on.
Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.
It wasn't my plan to create such a record. All I did was put in the effort to win every match I played and it went on for weeks, months and years until my defeat to Ross Norman in Toulouse in 1986.
I was very keen on squash. My father used to go to sleep in the afternoon. Normally, in Pakistan, everybody goes to sleep in the afternoon, because it's really hot. I'd go and play without telling anybody.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
