There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I h...
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about n...
The longer I've been doing this, the more I've realized that you have no idea what kinds of roles are possible for you - dream roles can take you by surprise. That being said, I need to play Hamlet one day. I'd also love to be in a play that I have w...
Dream big with no limitations. Playing small because of the fear of failure isn't what your true destiny is made of. You were created to play big and win big. You truly owe yourself massive success.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to sup...
I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ea...
There's nothing like Opening Day. There's nothing like the start of a new season. I started playing baseball when I was seven years old and quit playing when I was 40, so it's kind of in my blood.
There's always blood on the carpet when I play Beethoven at the piano. I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do!
On 'Frasier,' a network executive once suggested that one week we have John Lithgow play Frasier and Kelsey Grammar play Lithgow's role on '3rd Rock From the Sun;' I've been deeply afraid of the idea of a crossover ever since.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the sce...
As much as I loved Jackie Robinson, Roy Campanella, Junior Gilliam, and Don Newcombe, I loved watching Willie Mays play more than all of them combined, even if he played for the 'bad guys!'
There was a reason my first substantial role after rehab was to play a maniac whose personal story ended badly. I knew what it was like to go those dark places. I played a guy who died as a result of his abuse.
I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.
I sit around for ages waiting for inspiration. Then when I get an idea, I want to go with it and get something as quickly as possible. It's like catching a fly in a bottle. I'll play with drums for a bit, then the piano for a bit, play the guitar.
As an ambiguously non-white actor, I've been able to play light-skinned African American guys, Latinos, and I don't think that I've ever had to play some kind of ethnic stereotype or something that was typed specifically for a person of color.
I starred in a Broadway play that was Sidney Poitier's first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations.
I don't think I think when I play. I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
Now, when I play soul piano, for instance, and I play a rendition of 'Spain,' I do it deconstructively. That's the most fun, but I can only do that when I'm on my own.
I may play some exhibition games so I don't want to quit the game of chess completely. I just decided and it's a firm decision not to play competitive chess anymore.
I'm not interested at all in playing more than 12, 15 tournaments a year on an annual basis because like all the old guys out here on this Tour, we've played golf for nearly 30 years of our lives.