James Bond is quite serious about his drinks and clothing and cigarettes and food and all that sort of thing. There is nothing wry or amused about James Bond.
You start making movies and people start seeing when you go to places, and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.
If you want total security, go to prison. There you're fed, clothed, given medical care and so on. The only thing lacking... is freedom.
When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.
You know, I've certainly gone through periods, once I got into this business, where I tried to adopt maybe a more sophisticated style, 'cause they give you all these free clothes.
But it's cool working with female directors because I'm a girl, so you do relate to them more. You can talk to them about other stuff like clothes and all that.
I went to my room and packed a change of clothes, got my banjo, and started walking down the road. Soon I found myself on the open highway headed east.
I try to make my bed every day for mental health. Coming home to an unmade bed or a room with clothes all over will depress me.
I'm a clown, which could be a public health role. I'm really interested in moving our society away from a society needing Xanax and Prozac, and that is really feeling depressed, to one that is celebrating, and so I find just walking around in colorfu...
This is exactly how I would describe my work: 'I get there, I put on the clothes, I leave it on the hanger, and I go home.' And that's what I do.
I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.
If you look back at the history of creativity in clothes - the French Revolution, the First World War and the Second World War - they have all been creative reinventions, the moment new forms of luxury come into play.
I have gone above and beyond to care for my child, including an agreed upon monthly stipend, a house, a car, insurance, school and other essentials for the baby and his mother as well as many other things, including toys and clothing.
I come from a different era and I design clothes for our era. I think of people I want to dress when I design.
Aficionados of Slow design and Slow fashion use ethical and green materials to make objects - furniture, clothes, jewellery - that lift the spirit and last a lifetime rather than one catwalk season.
When I meet celebrities, I have to know what they are like and only then can I design. The clothes have to fit their personality.
I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.
The thing that makes my clothes really different is that, number one, they are really great designs; they're not tacky; they are very professional; the design is made from lots of decisions.
Borderline embarrassing fact: I used to have a pseudo line when I was seven called Zizzy Fashion. I love clothing, and I would eventually like to design as well as act.
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
When I get a little money I buy books; and if any is left I buy food and clothes.
