What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.
The world is being re-shaped by the convergence of social, mobile, cloud, big data, community and other powerful forces. The combination of these technologies unlocks an incredible opportunity to connect everything together in a new way and is dramat...
My work generally tends to be an all-out, 360-degree subversive take on everything, most of all my own notion of myself as a son, father, husband, human being and male in this culture.
I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.
I learned that you can make a sci-fi film that is satisfying overseas. European people have everything in check. I'd make every sci-fi film in Europe. They only work 14 hours a day. After that, it's overtime.
Unfortunately, these past few years, you can work hard, try to be as successful as possible, follow the rules, and President Barack Obama will do everything he can to stand in your way.
The most important thing that I've figured out is that things work out the way they're supposed to. We try to have all this control and fashion things the way we want, but everything happens for a reason, and in the end it works out the way it's supp...
I tried to reject everything I knew as a TV writer when I decided to be a novelist, and the books didn't work. Finally I realized I should go back to all the techniques I'd learned.
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
I do everything. Of course, I have 50 people who work for me to do the drudgery of mold making and all the foundry. This is an enormous task. But every stroke in these sculptures is from my hands.
One needs to constantly read up, practice and work, irrespective of your profession. If I feel as an actor that I know everything, then how will I to grow? How will I improve? I'll be stuck in a rut, and eventually I'll grow complacent.
The thing about film-making is I give it everything, that's why I work so hard. I always tell young actors to take charge. It's not that hard. Sign your own cheques, be responsible.
What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.
I have everything and I have nothing. Sometimes I feel like the loneliest man on the planet. All this 'stuff' and no one to share it with. And then when women come along, I wonder if they like the stuff more than me.
Winning in women's singles felt surreal. I felt that everything I had done - the hard work, the tough times - was all worth it.
When I found out I was pregnant, the first thing that had to go was the acne medicine and chemical-filled face washes and lotions. I made sure everything was natural and organic, and I started reading blogs by other pregnant women.
Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe.
I think people underestimate the romance audience. It's everything from career women to high school girls to elderly women. I have male readers, too, especially for the Civil War books.
No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.
...The discrepancy is that the ethical self should be found immanently in the despair, that the individual won himself by persisting in the despair. True, he has used something within the category of freedom, choosing himself, which seem to remove th...
