I love everything special or unique. Sometimes I love girly clothes, sometimes I love strong boy looks. You never know what is the next look of Ming.
I love watching the old movies. I love Katharine Hepburn. I just adore her and everything that she stood for. I find it interesting watching the likes of Gene Tierney and those classic movies of the '40s.
At sunrise everything is luminous but not clear. It is those we live with and love and should know who elude us. You can love completely without complete understanding.
I love everything that Frank Gehry does. I wish I could have that man build me a Wayne Manor-style mansion, like his idea of it.
Try everything on, even gowns that you don't think you'll love. You might be surprised and fall in love with a gown that you weren't drawn to at first.
I love to personalize things. I love to make things my own. I like to name everything - from cars to iPhones to the socks I just lost.
Sure, I've done movies in which I was embarrassed by my performance, or might not have cared for a co-star. Then I'd have to tell lies, like, 'Oh, we love each other; everything was perfect!'
The manic pursuit of success cost me everything I could love: my wife, my three children, some friends I would have liked to grow old with.
Gay guys love women who are tough, who are survivors. They always call me a diva. And I am a survivor; I've pulled through everything and I've not become bitter about it.
A lot of actors, and artists in general, never feel secure in love. They always feel everything's going to be taken away from them, professionally and personally; they're extremely emotional and volatile.
There's drama in everything. That's why I love movies. Like 'Welcome to the Dollhouse.' I'm a 350-pound black man, and I could understand what it was like to be a little white girl.
I always laugh when people call me a misogynist. I... love women! Everything I do is to impress women. And if I hated women, why would half my fans be women?
Everything I do is a reflection of the duality within me. Musically, I really love things that are very synthetic and unnatural. And I also like the organic and human... the intrinsic, I guess.
Fashion is silly. Perhaps I should say fashion in general is silly. But then everything is, in general. If you talk about music in general, it's silly; about magazines, in general, they're silly.
I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.
We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels.
I always seem to feel that everything is about to cave in on me. I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
Everything about the music industry takes away from you as an artist. They're always wondering what the next thing is: 'What do you have?' It's a very introverted process.
You can rebel against everything adults say. When I want to find out what the new music is, I find out what parents hate.
I grew up listening to everything. And rock and roll has always been a big, big part of it - as big a part of what I do as any other type of music.
