I like making people laugh. It comes off and shines in everything I do.
Once you find your dream, risk everything to make it come true.
It's pretty much run by everybody. We're very involved in everything that goes on. We always have been.
It's difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.
The way I work, typically, I do everything at the very last minute. Even if I was given two months, I'd do it in the last three days.
I work with kids, and I see certain things, so I realize now why my mother was so horrified and overprotective of everything that I watched.
Let every Latter-day Saint give value received for everything he gets, whether it be in work, or whatever he does.
My view is that you have to take risks. Not everything is going to work out, but it's sort of the fun of fashion, right?
'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
I view the work I've done related to statistics and economics as, roughly speaking, how to do something without having to do everything.
Don't pretend to know everything. I've been blessed to work with a lot of veteran actors, and I soak up lessons from them like a sponge.
There's very few geniuses that come and revolutionize everything. For the rest of us that want to be artists and have something to say, it's a lot of work and a lot of luck.
I work out, I go to pilates, I walk and I eat everything I can get my hands on.
I think women are taught to ask permission about everything. We don't realize that we are entitled and we do have a say in our lives.
There's such a pressure on women that we put on ourselves and everyone else puts on us to look unrealistic and everything, but you just can't compare yourself to people in magazines.
If women just got into it a little more, then the world would be happier. Instead of stabbing each other behind the back, just get into a fight, and then everything is out in the open.
It's hard to write a war story without thinking about the 'Iliad.' Because the 'Iliad' knows everything about war.
What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which ...
At first, one only recognizes particular instances to be worth of critique; critique appears synonymous with rejection, implying deficiency in the object. Over time, one discovers that everything warrants critique. This can produce cynicism: nothing ...
God the Eater There is a god in whom I do not believe Yet to this god my love stretches, This god whom I do not believe in is My whole life, my life and I am his. Everything that I have of pleasure and pain (Of pain, of bitter pain and men's contempt...
It makes sense. It's all there. Everything that's beautiful or wise or significant has been written down at some time or other. How can anybody have the gall or the self-satisfaction to ignore all that? Who would want to? You read to feel alive, to b...
