Work-life balance for founders doesn't look like work-life balance for everyone else. Starting a company isn't a nine-to-six job - or a nine-to-nine job, or a nine-to-midnight job.
Making the 'An Idiot Abroad' series, I was really dreading going to India; I thought I'd hate it. It was a nightmare, and I was really ill - just like everyone says.
I don't follow trends. I'm just not into what everyone else is wearing. I have my own look, which I call 'Lolita Meets Old Hollywood Glam.'
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
I believe in myself like a five-year-old believes in himself. They say look at me, look at me! Then they do a flip in the backyard. It won't even be that amazing, but everyone will be clapping for them.
Or like in the early 70's when we had the reaction against acid rock and all the fuzz tone, and feedback, and the noise. And you had James Taylor and everyone went acoustic and that.
Harrison Ford comes on set, and he's very polite and says, 'Hello' to everyone. He cares about everything that's going on, on set. He cares about what's going on with your character and what's in the scene and what's on the desk.
Sometimes opinions should kept to ones self, but not in appropriate situations. Be the judge of the appropriate situation, and be prepared for backfire. Moral of the story; if everyone doesn't agree, then prepare for them to lash out in disagreement.
Everyone should know that most cancer research is largely a fraud, and that the major cancer research organizations are derelict in their duties to the people who support them.
People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
I know just one thing is those guys, KG and everyone, they're hungry. They want it bad. Sam's the only one that's had that, has the ring. Other than him, everybody else over there, we want it bad.
Everyone assumes that novelists are smarter and more interesting. They're generally smarter and more interesting, but they're often very short. So it kind of cancels all the smart and interesting stuff out.
When I was in my 20s, I thought that being known for 'Swimming Pool' was kind of a burden. Like, 'OK, everyone thinks I am this tanned bimbo,' and I was having problems coping with that image.
Vail's a very important place for me. Everyone kind of took me in and accepted me in that town, and they still have to this day. I wouldn't be a downhill skier if I hadn't been there.
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
I think everyone must settle for what is in the parameter of their own rights. No one must have an evil intention toward the territorial benefit or integrity of other nations.
The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
There's nothing secret about it. Everyone knows that I am waiting for my real parents, the king and queen, to come restore me to my rightful throne.
I can, of course, think what I want, just like everyone else. I simply have to refrain from saying everything I think.
'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
No one is ever really a stranger. We cling to the belief that we share nothing with certain people. It's rubbish. We have almost everything in common with everyone.
