Anakin Skywalker: I'm going to turn you over to the Jedi. Supreme Chancellor: Of course you would. But you can't be sure of their intentions. Anakin Skywalker: I will learn the truth of all this quickly. Supreme Chancellor: You have much wisdom, Anak...
[Shock troopers are searching for the body of Yoda] Clone Commander Thire: There is no sign of his body, sir. Mas Amedda: Then he is not dead? The Emperor: Double your search! Clone Commander Thire: Yes, sir! Right away, sir! [the troopers exit] The ...
General Grievous: [addressing the Separatist leaders] It won't be long before the armies of the Republic track us here. I am sending all of you to the Mustafar system in the Outer Rim. It is a volcanic planet which generates a great deal of scanning ...
We shoot double episodes in 15 days in Los Angeles.
I directed an episode of 'Party of Five' toward the very end of that show. It was a great experience.
My mom, dad, and sister have all watched every episode of everything I've ever done.
If you watched 'Lost,' sometimes the episodes were crazy good, and sometimes you're like, 'That one was just sorta there.'
I'll be directing some more 'Private Practice' episodes when we wrap 'Caprica.'
Every episode of 'True Blood' is like shooting a low budget feature.
As for 'Supernatural,' I had seen many episodes and enjoyed the show before my audition.
In episodic TV you have to keep things secret to keep the viewer in suspense.
I read every draft of every episode of every series produced at FX.
First of all, it was in my contract. I knew I would be directing an episode.
I've never seen a single episode of 'So You Think You Can Dance.'
I've never had a series that's gone past 12 episodes.
I don't ever want to have a weak episode of television with my name on it.
I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.
Perfect, just what I need this morning, another episode in battle of the wits.
Damn, this op has been like a fucking episode.
I needed to feed my family. I read a couple of the episodes. How can you keep on doing the same thing?
The 13-episode model lends itself to a more serialised format, which is nice and gives writers a chance to breathe some space into it.
