I wanted to give my actor a break. I wanted to live and to learn English. I wanted to be anything, a cabdriver, a busboy, anything to keep me away from acting for a while.
What is it about the English countryside---why is the beauty so much more than visual? Why does it touch one so?
I studied voice for three months to get rid of my English accent. I changed my hair to blonde. I knew I could be sexy if I had to.
I can do Shakespeare, Ibsen, English accents, Irish accents, no accent, stand on my head, tap dance, sing, look 17 or look 70.
I am an American. I adore Britain and have a strong English half, but my roots are here in the U.S. - it is not a matter of choice; it is simply fact.
The iambic line, with its characteristic forward movement from short to long, or light to heavy, or unstressed to stressed, is the quintessential measure of English verse.
I am going to knock the slut out of you. And that should take some doing, you uppity English tramp!
Everyone knows English is my second language and my vocabulary is not as broad as it is in Spanish, and because of this, sometimes I use the wrong words to express myself.
The Norman conquest forever changed English from a mix of bad German and bad Latin, to a mix of bad German, bad Latin, and bad German-Latin.
Finding a technical cofounder would have been difficult for me. I was an English major and didn't know any computer programmers.
Everybody knows that England is the world of betting men, who are of a higher class than mere gamblers: to bet is in the English temperament.
Jim Garrison: "Treason doth never prosper," wrote an English poet, "What's the reason? For if it prosper, none dare call it treason."
I think it's part of being English, particularly if you are middle-class - you're always looking to be reminded that you are no good and you are always actually embarrassed about being successful.
I spent more time in America, but I developed a very English sense of humour. I clicked into it deeply with Peter Sellers, who is still probably my favourite comedian.
At the beginning of my acting career, I worked for two seasons at the RSC and spent a lot of time in the Cotswolds exploring Shakespeare's countryside. It's my kind of English landscape, with its tiny villages and one-room thatched pubs.
In England, I've never had to drive myself to work. I don't think the English producers trust actors to get up at five A.M. and get to the set on time.
The English countryside is the most staggeringly beautiful place. I can't spend as much time there as I like, but I like everything about it. I like fishing, I like clay- pigeon shooting.
I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath.
I've concentrated for a long time on English films because I've got two kids but my oldest son is 11 and I think I'm going to be away for about four months of year now.
Give immediate instruction to all your posts in said territory, under your direction, at no time and on no pretence to hoist, or suffer be hoisted, the English flag.
Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.
