In 1938, Louise Rosenblatt introduced reader response theory or the transactional view of reading. She asserted that what the reader brings to the reading act - his or her world of experiences, personality, and current frame of mind - is just as impo...
So long as there is gold underneath, who cares about the dust on top? Literature! That old whore! We must try to dose her with mercury and pills and clean her out from top to bottom, she has been so ultra-screwed by filthy pricks!
We are not immune to the lure of wonder and mystery and awe: we have music and art and literature, and find that the serious ethical dilemmas are better handled by Shakespeare and Tolstoy and Schiller and Dostoyevsky and George Eliot than in the myth...
Energy was the ruling theme of Victorian science, as machines increasingly harnessed the forces of nature to do man's work. The concept is also present in the art and literature of the age, notably in the poems of William Blake. The Romantic movement...
It's pathetic, but I don't really remember my first time reading 'The Great Gatsby.' I must have read it in high school. I'm pretty sure I remember it being assigned, and I generally did the reading. But I don't remember having a reaction to the book...
Taking the alphabet first and learning one letter a year for twenty-six years he will be able to read and write as early in life as he ought to. If we were more careful not to teach our children to read in their childhood we should not be so anxious ...
The revealed and mystic literature of mankind bears ample testimony to the fact that religious experience has been too enduring and dominant in the history of mankind to be rejected as mere illusion. There seems to be no reason, then, to accept the n...
Perhaps the hardest thing in all literature— at least I have found it so: by no voluntary effort can I accomplish it: I have to take it as it comes— is to write anything original. And perhaps the easiest is, when once an original line has been st...
It's not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing—they are not all bad. Those devils have been my angels. Without them I would never have disappeared into language, literature, the...
We read literature for a lot of reasons, but two of the most compelling ones are to get out of ourselves and our life stories and – equally important – to find ourselves by understanding our own life stories more clearly in the context of others.
This view of literature as an aesthetic object that could make us ‘better people’ is linked to a certain idea of the subject, to what theorists have come to call ‘the liberal subject’, the individual defined not by a social situation and inte...
If you could decide on characters' destinies it would be like going to the desk of a travel agent who says: "So where do you want to find the whale, in Samoa or in the Aleutian Islands? And when? And do you want to be the one who kills it or let Quee...
I have tried to write about politics in an allusive manner that draws upon other interests and to approach literature and criticism without ignoring the political dimension. Even if I have failed in this synthesis, I have found the attempt worth maki...
If I could start over today, I would choose literature again. If the answers exist in the world or in the universe, I still think that's where we're going to find them.
Cyril Connolly, twentieth-century writer and critic, wrote that ‘words are alive and literature becomes an escape, not from, but into living.’ That was how I wanted to use books: as an escape back to life. I wanted to engulf myself in books and c...
What the critic as a teacher of language tries to teach is not an elegant accomplishment, but the means of conscious life. Literary education should lead not merely to the admiration of great literature, but to some possession of its power of utteran...
No book is really worth reading at the age of 10 which is not equally (and often far more) worth reading at the age of 50 – except, of course, books of information. The only imaginative works we ought to grow out of are those which it would have be...
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions...
Because life, as Pablo Picasso averred, 'is a very bad novel', it has to be reworked through the writers' suffering into something much more meaningful, much more valuable. A life lived and relived, then, emitting intensity and beauty only achievable...
One of my proudest achievements is that when an authoritative book about Hungarian literature came out about a decade ago, there was a little article about me which said I was a Hungarian writer but pretending not to be. Bearing in mind I can hardly ...
I am about tribal feminine power. As a leader, I may stumble but my essence lives to the future-- of my people, of my literature, of my art. And when a tribesman turn against its leader, that tribe will become two. It may faulter my course, but it wi...
