I shall cheerfully bear the reproach of having descended below the dignity of history if I can succeed in placing before the English of the nineteenth century a true picture of the life of their ancestors.
For example, I loved English and history at school. I would have loved to have done a degree in either. But my Mom said I didn't have time for university.
It was difficult being a teacher and out of the closet in the '50s. By the time I retired, the English department was proud of having a gay poet of a certain minor fame. It was a very satisfactory change!
Independent graphic novelists have already achieved good work in terms of design, but all these great minds are writing in English. There is a need for people to write in Hindi.
English is taking over the world. I just wrote a piece about it. And it's not by design. The United States dominates because it's the biggest market.
Many schools today are sacrificing social studies, the arts and physical education so children can cover basic subjects like math, English and science.
I am a central European with an English education and a deplorable tendency to constant self-analysis. I am irritable and have weak nerves.
I love the English. My God, they brought us 'Benny Hill,' 'Monty Python,' 'The Office,' Neville Chamberlain.
Your great country is wonderful at stealing pieces of history and using it for its own purposes, so there didn't seem to be anything particularly unusual about it but the English were incredibly exercised about it.
My great grandparents are Scottish, and I have this very tenuous connection which I try and bump up whenever I can, because I'd much rather be Scottish than English.
I love to read. I was in AP English in high school, and we were assigned books every few months. 'Moby Dick' and 'The Great Gatsby' are two of my favorite ones.
I don't know why you use a fancy French word like detente when there's a good English phrase for it - cold war.
I feel I have a lot to learn from English football and I am completely open to good influences in my way of thinking football. But I also have things to give them.
There is the fear, common to all English-only speakers, that the chief purpose of foreign languages is to make fun of us. Otherwise, you know, why not just come out and say it?
I'm working on a film called 'Bonnie.' Bonnie means water. It's in English, and it's dealing with a future world in a megacity - which is what the U.N. says we're going to be - but in this megacity, a city that runs out of water.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
English is really free for me; there's no limits to the music and the imagination. And French, it's just I live in Paris, and it's really a poetic language where you can really play with words.
We try to magnify the difference between Americans and the English. In real life they like the same music and dress the same. It's really much more similar than anyone thinks or how we show it.
To go back and read Swift and Defoe and Samuel Johnson and Smollett and Pope - all those people we had to read in college English courses - to read them now is to have one of the infinite pleasures in life.
It was a somber place, haunted by old jokes and lost laughter. Life, as I discovered, holds no more wretched occupation than trying to make the English laugh.
Librarians and romance writers accomplish one mission better than anyone, including English teachers: we create readers for life - and what could be more fulfilling than that?