When I sing, it's the most solitary state: just me, and the microphone, and the holy spirit. It's not about notes or scales, it's all about emotion.
I always squirm when I read what's called 'creative nonfiction,' and the writer is lobbing gobs of emotion and language at the world, hoping some of it will stick.
I've written short stories from male perspectives before, and I've never had a problem with it as long as I've understood the character's emotions and motivations.
With teenagers, the emotions are higher and things are more dramatic. That doesn't mean adults don't also act like children in their own way.
I learn something new everyday about myself as an actor, my capabilities, how far I can stretch myself, throw out emotions I never knew I had.
I want people to see that I'm a real person, I overreact, I cry, I'm emotional. If I come across as perfect and in control, that wouldn't be who I really am.
You start with the right amount of rational and emotional experiences. You have to blend those in your product when you come out.
Like Americans, people outside America want fun, want an emotional compensation for the utilitarianism and calculation that mark the rest of their lives.
I can disappear into things very easily. But with acting, you have to be in the moment, and it gives me this incredibly fulfilling emotion: being really present.
If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
I put out one album one week, and I'm already worried about the next one. I feel a lot of emotion throughout the course of a day. But not to the point where you need to be worried about me.
If you're a manager you can't get frustrated and be emotional. You have to continue to steer the ship, you can't let go of the wheel because who knows where it will go then.
My son is not that emotional. He thought my trip to India is just another conference, But when he hearing about my visit on TV, he too got moved.
I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.
There’s a resident honesty in my every emotion. As I allow myself to feel all my feelings, I will be guided to the tender healing that is available to me.
I don't think anybody else can play the Hulk like I could. I was able to show emotions even with all of the makeup. I don't think it can be duplicated.
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
I always start with emotion. That's where I start all of my improvisations, on the piano. I always start with the mood or the feel of where I am in that moment.
Language is handy, but we humans have social and emotional connections that transcend words and are communicated - and understood - without conscious thought.
No one can you feel anything. Emotions are whatever choose to feel. It might be an instantaneous decision - to choose to be happy or sad or offended or hurt - but it's still a decision.
I just refer to myself as being Spirit, Mind and Body like everybody else and working toward the mastery of my natural divinity and the healing of my emotional mind.
