I think it's one of the main negative emotional ingredients that fuels show business, because there's so much at stake and the fear of failure looms large.
Maybe there's a chance to get back to grown-up films. Anything that uses humor and dramatic values to deal with human emotions and gets down to what people are to people.
All relationships change the brain - but most important are the intimate bonds that foster or fail us, altering the delicate circuits that shape memories, emotions and that ultimate souvenir, the self.
The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.
Negative emotions like loneliness, envy, and guilt have an important role to play in a happy life; they're big, flashing signs that something needs to change.
Health is relative. There is no such thing as an absolute state of health or sickness. Everyone's physical, mental, and emotional condition is a combination of both.
The emotional magnets beneath home and workplace are in the process of being reversed. Work has become a form of 'home' and home has become 'work.'
I feel so rich in my emotions and in my life and so grateful when I'm home and so grateful when I'm at work.
A 'Magik' session is a journey through different stages of emotions and the 'Search for Sunrise' is more chilling music for when you come home after a party or when you are just about to go to one.
When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.
Everyone has read about or knows someone who has gone through fertility treatments. It is an emotional nightmare, fueled by false hope and the promise of a treatment that will work.
My humor isn't meant to be mean or hurt anyone. But it's to make them uncomfortable and laugh. I like making people feel a different range of emotions. I like to make people a bit confused.
Our culture's obsession with vintage objects has rendered us unable to separate history from nostalgia. People want heart. They want a chaser of emotion with their aesthetics.
I stay true to my lyrics. If I go back and look at them in hindsight, the emotions I had when I wrote them have passed. It feels unjustified to change them.
Exploiting people's emotions of fear, envy and anxiety is not hope, it's not change, it's partisanship. We don't need partisanship. We don't need demagoguery, we need solutions.
Stand-up comedy is a lot about amplifying emotions and situations; movie acting has a lot to do with mellowing things down and making them subtle. The transition was almost terrifying because of the magnitude of change.
Dad was just an emotional wreck. He was drinking a lot of the time, he was smoking a lot of pot. And because he takes certain medications, the drinking was making him... you know, he wasn't even present, really.
Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.
My hope was that organizations would start including this range of skills in their training programs - in other words, offer an adult education in social and emotional intelligence.
In 'Reclaiming Virtue,' I argue that we have had an element missing in moral education. That element is 'affect.' Affect is simply the technical word for feeling or emotion.
All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity by the ruthless Goddess of Distress or by the torch of the spoken word cast into the midst of the people.
