If emotion is fuel, expectation is fire! The more the fuel, the more is the impact…
I've never lived in the visual world. I live very much in an emotional-contact world.
That's all drugs and alcohol do, they cut off your emotions in the end.
I've always thrived on getting a drive from different emotional circumstances that I'm going through.
You go through all the emotions when you're told to move on.
It's the emotion of it that hits me, more than anything technical.
Acting really suited me because I could connect as an actor to emotion.
Emotional power is maybe the most valuable thing that an actor can have.
People have different emotional levels. Especially when you're young.
The thing I adore about acting is that it's not me: you get to experience all these emotions, but essentially it's not you.
I've got to say that is - the highest emotion of the human experience is going down in a plane knowing your going to die!
History shows us that the songs - the myth, the experience and the emotion - live longer the less you explain.
Nothing is quite so emotional and passionate as what goes on inside of a family. People are driven to distraction by a father or a mother or a husband. Or a child.
Endeavour to be faithful, and if there is any beauty in your thought, your style will be beautiful; if there is any real emotion to express, the expression will be moving.
My duty is to try to reach beauty. Cinema is emotion. When you laugh you cry.
I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.
As an actress, emotions are my business, my stock-in-trade. As such, I've dealt with them nearly all my life.
Children who cling to parents or who don't want to leave home are stunted in their emotional, psychological growth.
In our cultural history, all emotions have been more culturally acceptable to women.
If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
