The book is a dialogue between The Dalai Lama and a group of scientists about how we can better handle our destructive emotions and how to overcome them.
Previously people were treated anonymously particular on a drugs situation which is obviously highly emotive. They have been treated anonymously even after the verdict had been reached.
We have no reason to expect the quality of intuition to improve with the importance of the problem. Perhaps the contrary: high-stake problems are likely to involve powerful emotions and strong impulses to action.
You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
I am president and do not have the right to give in to emotions. I have bad moods, very bad moods, but I never feel despair.
I discovered that silent film is almost an advantage. You just have to think of the feeling for it to show. No lines pollute it. It doesn't take much - a gaze, an eyelash flutter - for the emotion to be vivid.
Art invites us to become explorers and excavators of our vast internal landscapes, discovering new terrain and digging deep into the past to unearth forgotten experiences and emotion.
I've got four piercings in my left, so we've dubbed my right one the 'period drama ear.' I have to be filmed from that side when I do emotional close-ups in 'Downton.'
When I play, I very quickly put myself into a light hypnotic trance and compose while playing, drawing directly from the emotions.
I think as an actor you have to be open to your emotions - that's how you tap into other characters. Besides, by being so open I've come to terms with how screwed I am!
Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.
A whole generation was raised to learn about comedy from 'The Simpsons.' To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.
I think people really connect with the idea of someone who's gained and lost weight in this very public way, and also someone who's an emotional eater.
Part of spiritual and emotional maturity is recognizing that it's not like you're going to try to fix yourself and become a different person. You remain the same person, but you become awakened.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
I think that unless you can take judgments of right and wrong like an automaton, you must have emotions because that is our only way of moral guidance.
Words cannot express quite a lot of feelings, whereas a noise or tone or drone or sound, an accordion falling down a staircase, can somehow capture an emotion much better.
I'm much softer than people think. I don't present to the world an emotional face. I'm pretty good at self-control, but I am easily moved.
Considering what Americans have been confronted with in the last ten years, domestically and internationally, it's clear that we need emotional outlets; we have to have some peace from our problems.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
The more people have, the less content they seem to be. In America, the cultural expectation that we're to be happy all the time and our children are to be happy all the time is toxic, and I think that really gets in the way of emotional well-being.
