The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
I'm spending way too much time test running my Vine videos. I'll go into a room and close the door and be in there for an hour workshopping a Vine video that I never even post. So that's probably a huge time suck.
I have a very hard time picturing myself in a room with some type of goo oozing out of an air vent and killing me; that doesn't really scare me because I don't think that's going to happen to me.
My process is to be by myself when I record. It's quite an emotional performance to pull off when someone else is in the room. I prefer to go away and have my own time with it, bring it in later.
But certainly in my grandmother's time - and when I was growing up, yeah, Demetrie's bathroom was on the side of the house, it was a separate door. Still, to this day, I've never been in that room.
I have been criticized a lot for not looking perfect in every photograph. I'm not embarrassed about it. I'm proud of it. If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, 'What an actress...
We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.
The urge to miniaturize electronics did not exist before the space program. I mean our grandparents had radios that was furniture in the living room. Nobody at the time was saying, 'Gee, I want to carry that in my pocket.' Which is a non-thought.
I'm trying to do what I have never done - give the impression one has on entering a room: one sees everything and at the same time nothing.
Some people take certain things and they try to forget what that pain felt like. I don't. I take that same pain and I chase it every time I walk in a weight room.
I can see my ghost trying to get that Academy Award, forever stuck in a casting office. Can you imagine? I've spent enough time in audition rooms. I don't want to be doing that in my afterlife.
Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other person's back is turned or having other people parrot what they say.
I'm alive today, therefore I'm just as much a part of our time as everybody else. The times will just have to enlarge themselves to make room for me, won't they, and for everybody else.
No, I don't think about the myth of the West. It's not the kind of thinking I do. That's more suited to people who live in big towns on the West Coast or East Coast, people who stay under a roof, in a room, all the time.
There is no room for second place. There is only one place in my game and that is first place. I have finished second twice in my time at Green Bay and I never want to finish second again.
I'm such a girl for the living room. I really like to stay in my nest and not move. I travel in my mind, and that that's a rigorous state of journeying for me. My body isn't that interested in moving from place to place.
Rusty Griswold: Dad, this tree won't fit in our back yard. Clark: It's not going in the yard, Russ. It's going in the living room.
[Wikus walks into a room filled with Alien weaponry] Wikus Van De Merwe: This is Christmas. This is Christmas, my friends! This is the biggest find that I've ever seen.
Nick: Did you hear about the happy Roman? Man in Locker Room: Yeah. Nick: He was "glad he ate her."
Rufus T. Firefly: Don't look now, but there's one man too many in this room, and I think it's you.
