As the director of an opera, it is my responsibility to unify the style of the particular performance, but one can certainly approach the piece from different points of view. That's what makes it interesting and keeps it alive.
I want kids to have a chance to dream of becoming something like I did in my life, and when you're living in a home that's dysfunctional and unhealthy that way, you don't dream like that.
The chance you passed up or missed could have had any number of different outcomes, and it's easy to fantasize about how much better every one of those outcomes would have been.
The moment that we realize our attention has wandered is the magic moment of the practice, because that's the moment we have the chance to be really different. Instead of judging ourselves, and berating ourselves, and condemning ourselves, we can be ...
It's Messiaen's Turangalila Symphony I'm really looking forward to. Simon Rattle does it perfectly: he understands its primal rhythmic life force, and he and the wonderful Berliners make it a sheer riot of orchestral colour.
I free-form it, rock n' roll it. I'm a creature of risk, so I don't know how I'm going to explore a Beethoven symphony until I'm doing it.
I'm a bit of a Luddite, really: I don't use email much, as I started drowning in it. So I said 'screw this' and dumped my laptop, though I've begun to re-engage with it.
I most definitely would not buy the 'Daily Mail,' which pours a kind of livid torpor into the eyelids of the average Brit - I skimmed through a copy recently and couldn't believe the rubbish in it.
In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'
Parallels between classical and pop are not new. The whole San Francisco movement of John Cage and Terry Riley went hand in glove with what the Velvet Underground were doing.
What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
There's not much in the way of written-down arrangements - just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.
To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.
If school principals have given up on the important things and are focusing on discipline, they are creating a certain, diluted reality. In an organization that functions properly, discipline should be a marginal issue.
...the player who looks least engaged may be the most committed member of the group. A cynic, after all, is a passionate person who does not want to be disappointed again.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
Concert-going has become much less the thing to do, while people are still going to opera. This might be a harsh judgment, but it could easily happen that orchestras could slowly atrophy.
I know one lab that studies nicotine receptors and all the scientists are smokers, and another lab that studies impulse control and they're all overweight.
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
When I began to travel around the country, I would notice in places like Los Angeles, Chicago, Phoenix and even Texas that Latinos didn't want to speak Spanish. You would ask a question, only to be answered in English.
